There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.    

There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.

There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.

There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.

There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so.

There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.

O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.

Source: The Complete Poems of Carl Sandburg (Harcourt Brace Iovanovich Inc., 1970)

Phil’s note: Granted, I am familiar with only a few of Sandburg’s poems, but this format took me by surprise. Also, although Sandburg’s poetry is usually “deep”, the almost Asian feel of this poem, showing the mingling of the narrator’s existence with that of nature and the environment is something I did not expect. This is almost Taoist in some ways. The fusion of man and nature is also reminiscent of Walt Whitman and Ralph Waldo Emerson.

“Poet Carl Sandburg was born into a poor family in Galesburg, Illinois. In his youth, he worked many odd jobs before serving in the 6th Illinois Infantry in Puerto Rico during the Spanish-American War. He studied at Lombard College, and then moved to Milwaukee, Wisconsin, where he worked as an organizer for the Socialist Democratic Party. In 1913, he moved to Chicago, Illinois and wrote for the Chicago Daily News. His first poems were published by Harriet Monroe in Poetry magazine. Sandburg’s collection Chicago Poems (1916) was highly regarded, and he received the Pulitzer Prize for Corn Huskers (1918). His many subsequent books of poetry include The People, Yes (1936), Good Morning, America (1928), Slabs of the Sunburnt West (1922), and Smoke and Steel (1920).

“Trying to write briefly about Carl Sandburg,” said a friend of the poet, “is like trying to picture the Grand Canyon in one black and white snapshot.” His range of interests was enumerated by his close friend, Harry Golden, who, in his study of the poet, called Sandburg “the one American writer who distinguished himself in five fields—poetry, history, biography, fiction, and music.”

from Poetryfoundation.org

If you enjoyed this poem, you might also enjoy “Gift of the Magi” by O. Henry.

There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of blood—I keep this wolf because the wilderness gave it to me and the wilderness will not let it go.    

There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.

There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sun—I got this too from the wilderness and the wilderness will not let it go.

There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.

There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoot’s hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waiting—I keep the baboon because the wilderness says so.

There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishes—And I got the eagle and the mockingbird from the wilderness.

O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heart—and I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-Where—For I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness.

Source: The Complete Poems of Carl Sandburg (Harcourt Brace Iovanovich Inc., 1970)

Phil’s note: Granted, I am familiar with only a few of Sandburg’s poems, but this format took me by surprise. Also, although Sandburg’s poetry is usually “deep”, the almost Asian feel of this poem, showing the mingling of the narrator’s existence with that of nature and the environment is something I did not expect. This is almost Taoist in some ways. The fusion of man and nature is also reminiscent of Walt Whitman and Ralph Waldo Emerson.

“Poet Carl Sandburg was born into a poor family in Galesburg, Illinois. In his youth, he worked many odd jobs before serving in the 6th Illinois Infantry in Puerto Rico during the Spanish-American War. He studied at Lombard College, and then moved to Milwaukee, Wisconsin, where he worked as an organizer for the Socialist Democratic Party. In 1913, he moved to Chicago, Illinois and wrote for the Chicago Daily News. His first poems were published by Harriet Monroe in Poetry magazine. Sandburg’s collection Chicago Poems (1916) was highly regarded, and he received the Pulitzer Prize for Corn Huskers (1918). His many subsequent books of poetry include The People, Yes (1936), Good Morning, America (1928), Slabs of the Sunburnt West (1922), and Smoke and Steel (1920).

“Trying to write briefly about Carl Sandburg,” said a friend of the poet, “is like trying to picture the Grand Canyon in one black and white snapshot.” His range of interests was enumerated by his close friend, Harry Golden, who, in his study of the poet, called Sandburg “the one American writer who distinguished himself in five fields—poetry, history, biography, fiction, and music.”

from Poetryfoundation.org

If you enjoyed this poem, you might also enjoy “Gift of the Magi” by O. Henry.