Piles of soft tissues, hidden layers of consciousness,
shifting sands on a distant shore.
That picture of the sea, the path of reflected moonlight,
the boat on the horizon that never arrives.
An antique sword on the grey wall; forgotten wars,
unremembered dead, no echoing bugle call.
Hearths, grates, long cold – once crimson embers, dead,
in half-forgotten places.
On dusty shelves, gilded volumes, lie unloved, unread,
Meredith, Disraeli, Carlyle, Macaulay, Chatterton, Gibbon,
confined to donnish chat in seminars or Senior Common Rooms.
The kitchen range, smell of new bread, of Christmas cake
stirred weeks before.
The kiss of warmth after wintry walks through snowy fields
and icy lanes.
A back gate unlocked, for next door to borrow eggs,
a pinch of salt, a packet of tea.
Vague shapes of ornaments, brash trash, gifts from Brighton,
Hastings and Winchelsea.
Fading in the shifting sands of time, those many dogs
chasing rabbits through golden autumn woods.
Asleep, dreaming, perhaps still following the old habits
across the fields of memory.
Music echoes, Mozart, Mahler, Chubby Checker, Conrad Twitty
smoke, log fires, the smell of rain.
Gas bills, health insurance, disabled badges, pensions, funerals
New York, London, Sydney, Paris, Rome, Berlin, Vancouver
Tissues tear, sand shifts,
the tide retreats again -
Sarah Das Gupta is a writer from Cambridge, UK who has also lived and worked in India and Tanzania. Her work has been published in twenty countries from Australia to Kazakhstan. It has appeared in over 200 literary magazines and anthologies including ‘The New English Review’, ‘ Moss Piglet’, ‘Songs of Eretz’, ‘Quail Bell’, ‘Waywords’, ‘Cosmic Daffodil’, ‘Dorothy Parker’s Ashes’, ‘Hooghly Review’, ‘Meat for Tea’, ‘Rural Fiction’ and many others. This year she has been nominated for Best of the Net’ and a Dwarf Star’.
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