Tag Archives: China

“Water Pump” Fiction by Yuan Changming

Image generated by AI. Two Chinese boys at a water pump in a field.

It was a scorching mid-summer afternoon in 1965. All trees and crops stood still as if holding their breaths for a ceremony to begin, while cooking smoke rose all the way up towards the sky without changing its shape beyond the fields. Ming was gleaning leftover grain with a neighbor boy when he spotted something strange across the ditch, which looked quite deep.

“Hey, what’s that stuff roaring and smoldering over there?” asked Ming in a loud voice.

“Ha-ha, you dummy! Don’t you know that’s a machine? Called ‘fuel pump’!” answered Six-Lives, who was a couple years older and apparently knew more about it.

“Fuel pump? What does it do? How does it work?”

“It burns kerosene. Used to draw water from a pool to irrigate rice paddies.”

“How do you know?”

“My youngest uncle’s the operator! He told me that.”

From his tone, Ming knew that Six-Lives was very proud of his connection with the farming tool, which made him feel envious. As the first industrial product Ming had ever seen since he had memory, the pump was nothing less than a living representative of all the advanced sciences and technologies of the twentieth century.

“Can we go take a close look,” proposed Ming. Even if they had to walk a long way to cross the bridge, he wouldn’t want to miss this opportunity to open his eyes.

“Why not? Let’s swim across the ditch.”

“But I don’t know how to swim!”

“Easy-peasy!”

“How’s that?”

“Just follow me…”

Scarcely had Six-Lives finished his sentence when he asked Ming to take off his shorts, the only garment every boy wore during the entire season. Then, the older boy put it together with his own on his forehead and transported them dry and clean by treading water to the other side of the pool, which was about four to five meters wide. When he came back, he grabbed Ming’s left hand and told him to make strokes with his right arm and keep kicking his two legs backwards the moment they stepped down into the water.

“Paddle hard just like a crazy duck, or a dog, remember!”

But the instant his feet left the ground, Ming fell down straight like a dumb rock. As he struggled to re-grab Six-Lives’ right hand or arm, he was choked with water and got a sharp pain in his nose. For a fraction of moment, he found himself catching one of his friend’s limbs but only to lose it again, because the other boy avoided him like a poisonous snake. With nobody or nothing he could get hold of, Ming hoped to get out of the water by kicking his legs and waving his arms as hard as he could. At one point, he did manage to raise his head above the water and see Six-Lives standing alone on the ridge, totally naked, doing nothing but wiping his tears away.

After swallowing a large quantity of water and despite all his efforts, Ming failed to keep his head above the water as he and his coach had both anticipated. What followed was an ineffable experience. As time seemed to stop, he felt his body drifting around like a little cloud in a greenish sky. With his eyes close tightly, he certainly saw nothing at all. Nor did he hear a single sound; even the loud noise of the pump had become totally muted. There was no pain, no choking anymore. Instead, he was overwhelmed with a sense of comfort and serenity, while the idea of death never came cross his mind. He knew he was very much alive since he was still as self-conscious as usual. This he could tell because he could somehow see, from somewhere above, his own naked body in the heart of an enclosed space, which was full of light-like water or water-like light. He reminded himself to keep plodding forward in one direction all the time. This way, he believed that he would touch the ground sooner or later.

It was not long before he felt his hands catching something solid, which he presumed to be a tree root. Without a second thought, he used all his remaining strengths to climb up along the root, though it seemed endless. No matter what, he was sure about his proximity to the ditch side. Otherwise, there would be no root for him to grab. That being the case, he could get out of the pool sooner or later as long as he kept climbing. But just when he found himself too exhausted to continue trying, he felt the root broken off and shrunk into a short and weightless straw in his grasp.

Before he woke from a dreamless sleep, he heard some faint human voices coming closer and louder, “Whose boy’s this? Isn’t he from the Lius living on the dike?”

A few days later, he learned that it was a young couple who had seen Six-Lives crying on the ridge when they happened to take a short cut to visit the wife’s parents for the first time after they got married. From the boy’s terrified response, the couple guessed that someone was drowning in the depth of the pool. Not knowing how to swim, the couple shouted for help at the top of their voices. When an old woman airing her laundry on her bamboo pole nearby heard them, she ran to the scene with the pole and used it to reach Ming, which he mistook for a tree root.

To the couple and the old woman, his parents were certainly grateful, but at the age of eight, Ming didn’t give a fig about this episode back then. In fact, if he’d known he’s to expend his whole lifetime only to prove himself to be one of billions of “shit-makers,” he would probably have stopped climbing the root in the water, or preferred to die of some disease like Six-Lives before he became an adult.


Yuan Changming edits Poetry Pacific with Allen Yuan. Credits include 16 chapbooks, 12 Pushcart nominations for poetry and 2 for fiction besides appearances in Best of the Best Canadian Poetry (2008-17), BestNewPoemsOnline and 2109 other publications across 51 countries. Yuan began writing and publishing fiction in 2022, with his debut (hybrid) novel Detaching just released by Alien Buddha Press.


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Call for Submissions: Stories Set in Coffee and Tea Farming Regions Around the World

Rural Fiction Magazine is (RFM) seeking short fiction and poetry that involve coffee and tea farming or are set in coffee and tea farming areas. Please see RFM’s Submissions page for details on how to submit stories and poetry for publication. Of course, as always, there is no pay for any stories or poems except exposure to the English-speaking, especially American and British, markets.

RFM believes strongly that all stories are ultimately about people and that genre is secondary. Likewise any story submitted that involves coffee and tea farming should be primarily about people and human interaction and not about production methods or strategies or any technical aspect of coffee and tea farming.

These stories may be of any genre but the mainstream and literary genres stand a better chance of being accepted than experimental stories.

These stories may also be from any nation but stories from coffee and tea producing nations will be especially appreciated.

If you have questions or would like to query RFM about a possible submission, contact RFM through the Contact page or via ruralfictionmagazine@gmail.com.


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Update: More Stories Coming

More wonderful stories are going up all the time. Right now, four have been scheduled starting January 21st.

On January 21, “Rowan” a supernatural fantasy by Naomi Elster will appear. Naomi Elster’s writing has been published and performed almost 30 times, including in Imprint, Crannóg, and Meniscus, and at the Smock Alley Theatre. She has campaigned for reproductive justice and pay equality. She has a PhD in cancer and leads the research department of a medical charity. Originally from Laois, in the Irish midlands, she now lives in London. 

On January 22, the story will be “Water Pump” Fiction by Yuan Changming. Yuan Changming edits Poetry Pacific with Allen Yuan. Credits include 16 chapbooks, 12 Pushcart nominations for poetry and 2 for fiction besides appearances in Best of the Best Canadian Poetry (2008-17), BestNewPoemsOnline and 2109 other publications across 51 countries. Yuan began writing and publishing fiction in 2022, with his debut (hybrid) novel Detaching just released by Alien Buddha Press.

January 23 will feature “Flamenco” a fantasy love story by Mehreen Ahmed, Mehreen Ahmed is Bangladeshi-born Australian novelist. She has published ten books to date and works in Litro, BlazeVox, Chiron Review, Centaur Literature. While her novels have been acclaimed by Midwest Book Review, Drunken Druid Editor’s Choice, shorts have won contests, Pushcart, James Tait, and five botN nominations.

On January 24, you will find “The Spike Buck” a flash memoir by Maxwell Adamowski, Maxwell Adamowski is a Canadian survivalist and woodsman who lived alone for a year in the wilderness performing a series of rite of passage rituals. “The Spike Buck” is one of the first stories in his book, CarQuest.

Check back frequently to find out what’s happening, or, better yet, subscribe!


If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines