Category Archives: Classic Fiction

“The Lottery Ticket” Fiction by Anton Chekhov (1887)

IVAN DMITRITCH, a middle-class man who lived with his family on an income of twelve hundred a year and was very well satisfied with his lot, sat down on the sofa after supper and began reading the newspaper.

“I forgot to look at the newspaper today,” his wife said to him as she cleared the table. “Look and see whether the list of drawings is there.”

“Yes, it is,” said Ivan Dmitritch; “but hasn’t your ticket lapsed?”

“No; I took the interest on Tuesday.”

“What is the number?”

“Series 9,499, number 26.”

“All right… we will look… 9,499 and 26.”

Ivan Dmitritch had no faith in lottery luck, and would not, as a rule, have consented to look at the lists of winning numbers, but now, as he had nothing else to do and as the newspaper was before his eyes, he passed his finger downwards along the column of numbers. And immediately, as though in mockery of his scepticism, no further than the second line from the top, his eye was caught by the figure 9,499! Unable to believe his eyes, he hurriedly dropped the paper on his knees without looking to see the number of the ticket, and, just as though some one had given him a douche of cold water, he felt an agreeable chill in the pit of the stomach; tingling and terrible and sweet!

“Masha, 9,499 is there!” he said in a hollow voice.

His wife looked at his astonished and panic-stricken face, and realized that he was not joking.

“9,499?” she asked, turning pale and dropping the folded tablecloth on the table.

“Yes, yes… it really is there!”

“And the number of the ticket?”

“Oh, yes! There’s the number of the ticket too. But stay… wait! No, I say! Anyway, the number of our series is there! Anyway, you understand….”

Looking at his wife, Ivan Dmitritch gave a broad, senseless smile, like a baby when a bright object is shown it. His wife smiled too; it was as pleasant to her as to him that he only mentioned the series, and did not try to find out the number of the winning ticket. To torment and tantalize oneself with hopes of possible fortune is so sweet, so thrilling!

“It is our series,” said Ivan Dmitritch, after a long silence. “So there is a probability that we have won. It’s only a probability, but there it is!”

“Well, now look!”

“Wait a little. We have plenty of time to be disappointed. It’s on the second line from the top, so the prize is seventy-five thousand. That’s not money, but power, capital! And in a minute I shall look at the list, and there—26! Eh? I say, what if we really have won?”

The husband and wife began laughing and staring at one another in silence. The possibility of winning bewildered them; they could not have said, could not have dreamed, what they both needed that seventy-five thousand for, what they would buy, where they would go. They thought only of the figures 9,499 and 75,000 and pictured them in their imagination, while somehow they could not think of the happiness itself which was so possible.

Ivan Dmitritch, holding the paper in his hand, walked several times from corner to corner, and only when he had recovered from the first impression began dreaming a little.

“And if we have won,” he said—“why, it will be a new life, it will be a transformation! The ticket is yours, but if it were mine I should, first of all, of course, spend twenty-five thousand on real property in the shape of an estate; ten thousand on immediate expenses, new furnishing… travelling… paying debts, and so on…. The other forty thousand I would put in the bank and get interest on it.”

“Yes, an estate, that would be nice,” said his wife, sitting down and dropping her hands in her lap.

“Somewhere in the Tula or Oryol provinces…. In the first place we shouldn’t need a summer villa, and besides, it would always bring in an income.”

And pictures came crowding on his imagination, each more gracious and poetical than the last. And in all these pictures he saw himself well-fed, serene, healthy, felt warm, even hot! Here, after eating a summer soup, cold as ice, he lay on his back on the burning sand close to a stream or in the garden under a lime-tree…. It is hot…. His little boy and girl are crawling about near him, digging in the sand or catching ladybirds in the grass. He dozes sweetly, thinking of nothing, and feeling all over that he need not go to the office today, tomorrow, or the day after. Or, tired of lying still, he goes to the hayfield, or to the forest for mushrooms, or watches the peasants catching fish with a net. When the sun sets he takes a towel and soap and saunters to the bathing-shed, where he undresses at his leisure, slowly rubs his bare chest with his hands, and goes into the water. And in the water, near the opaque soapy circles, little fish flit to and fro and green water-weeds nod their heads. After bathing there is tea with cream and milk rolls…. In the evening a walk or vint with the neighbours.

“Yes, it would be nice to buy an estate,” said his wife, also dreaming, and from her face it was evident that she was enchanted by her thoughts.

Ivan Dmitritch pictured to himself autumn with its rains, its cold evenings, and its St. Martin’s summer. At that season he would have to take longer walks about the garden and beside the river, so as to get thoroughly chilled, and then drink a big glass of vodka and eat a salted mushroom or a soused cucumber, and then—drink another…. The children would come running from the kitchen-garden, bringing a carrot and a radish smelling of fresh earth…. And then, he would lie stretched full length on the sofa, and in leisurely fashion turn over the pages of some illustrated magazine, or, covering his face with it and unbuttoning his waistcoat, give himself up to slumber.

The St. Martin’s summer is followed by cloudy, gloomy weather. It rains day and night, the bare trees weep, the wind is damp and cold. The dogs, the horses, the fowls—all are wet, depressed, downcast. There is nowhere to walk; one can’t go out for days together; one has to pace up and down the room, looking despondently at the grey window. It is dreary!

Ivan Dmitritch stopped and looked at his wife.

“I should go abroad, you know, Masha,” he said.

And he began thinking how nice it would be in late autumn to go abroad somewhere to the South of France… to Italy…. to India!

“I should certainly go abroad too,” his wife said. “But look at the number of the ticket!”

“Wait, wait!…”

He walked about the room and went on thinking. It occurred to him: what if his wife really did go abroad? It is pleasant to travel alone, or in the society of light, careless women who live in the present, and not such as think and talk all the journey about nothing but their children, sigh, and tremble with dismay over every farthing. Ivan Dmitritch imagined his wife in the train with a multitude of parcels, baskets, and bags; she would be sighing over something, complaining that the train made her head ache, that she had spent so much money…. At the stations he would continually be having to run for boiling water, bread and butter…. She wouldn’t have dinner because of its being too dear….

“She would begrudge me every farthing,” he thought, with a glance at his wife. “The lottery ticket is hers, not mine! Besides, what is the use of her going abroad? What does she want there? She would shut herself up in the hotel, and not let me out of her sight…. I know!”

And for the first time in his life his mind dwelt on the fact that his wife had grown elderly and plain, and that she was saturated through and through with the smell of cooking, while he was still young, fresh, and healthy, and might well have got married again.

“Of course, all that is silly nonsense,” he thought; “but… why should she go abroad? What would she make of it? And yet she would go, of course…. I can fancy… In reality it is all one to her, whether it is Naples or Klin. She would only be in my way. I should be dependent upon her. I can fancy how, like a regular woman, she will lock the money up as soon as she gets it…. She will hide it from me…. She will look after her relations and grudge me every farthing.”

Ivan Dmitritch thought of her relations. All those wretched brothers and sisters and aunts and uncles would come crawling about as soon as they heard of the winning ticket, would begin whining like beggars, and fawning upon them with oily, hypocritical smiles. Wretched, detestable people! If they were given anything, they would ask for more; while if they were refused, they would swear at them, slander them, and wish them every kind of misfortune.

Ivan Dmitritch remembered his own relations, and their faces, at which he had looked impartially in the past, struck him now as repulsive and hateful.

“They are such reptiles!” he thought.

And his wife’s face, too, struck him as repulsive and hateful. Anger surged up in his heart against her, and he thought malignantly:

“She knows nothing about money, and so she is stingy. If she won it she would give me a hundred roubles, and put the rest away under lock and key.”

And he looked at his wife, not with a smile now, but with hatred. She glanced at him too, and also with hatred and anger. She had her own daydreams, her own plans, her own reflections; she understood perfectly well what her husband’s dreams were. She knew who would be the first to try and grab her winnings.

“It’s very nice making daydreams at other people’s expense!” is what her eyes expressed. “No, don’t you dare!”

Her husband understood her look; hatred began stirring again in his breast, and in order to annoy his wife he glanced quickly, to spite her at the fourth page on the newspaper and read out triumphantly:

“Series 9,499, number 46! Not 26!”

Hatred and hope both disappeared at once, and it began immediately to seem to Ivan Dmitritch and his wife that their rooms were dark and small and low-pitched, that the supper they had been eating was not doing them good, but lying heavy on their stomachs, that the evenings were long and wearisome….

“What the devil’s the meaning of it?” said Ivan Dmitritch, beginning to be ill-humoured. “Wherever one steps there are bits of paper under one’s feet, crumbs, husks. The rooms are never swept! One is simply forced to go out. Damnation take my soul entirely! I shall go and hang myself on the first aspen-tree!”


Anton Pavlovich Chekhov Russian: Антон Павлович Чехов, (29 January 1860 – 15 July 1904) was a Russian playwright and short-story writer. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. “Medicine is my lawful wife,” he once said, “and literature is my mistress.”

from Wikipedia


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“The Gift of the Magi” Fiction by O. Henry (1905)

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.”

The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, though, they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a gray cat walking a gray fence in a gray backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honor of being owned by Jim.

There was a pier glass between the windows of the room. Perhaps you have seen a pier glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: “Mme. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade.

“Twenty dollars,” said Madame, lifting the mass with a practised hand.

“Give it to me quick,” said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

“If Jim doesn’t kill me,” she said to herself, “before he takes a second look at me, he’ll say I look like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eighty-seven cents?”

At 7 o’clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit of saying a little silent prayer about the simplest everyday things, and now she whispered: “Please God, make him think I am still pretty.”

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again—you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say ‘Merry Christmas!’ Jim, and let’s be happy. You don’t know what a nice—what a beautiful, nice gift I’ve got for you.”

“You’ve cut off your hair?” asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”

Jim looked about the room curiously.

“You say your hair is gone?” he said, with an air almost of idiocy.

“You needn’t look for it,” said Della. “It’s sold, I tell you—sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

And then Della leaped up like a little singed cat and cried, “Oh, oh!”

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

“Dell,” said he, “let’s put our Christmas presents away and keep ’em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.


William Sydney Porter (September 11, 1862 – June 5, 1910), better known by his pen name O. Henry, was an American writer known primarily for his short stories, though he also wrote poetry and non-fiction. His works include “The Gift of the Magi“, “The Duplicity of Hargraves“, and “The Ransom of Red Chief“, as well as the novel Cabbages and Kings. Porter’s stories are known for their naturalist observations, witty narration, and surprise endings.

From Wikipedia


This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.


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“Old Garfield’s Heart” Horror by Robert E. Howard (1933)

I WAS SITTING on the porch when my grandfather hobbled out and sank down on his favorite chair with the cushioned seat, and began to stuff tobacco in his old corncob-pipe.

“I thought you’d be goin’ to the dance,” he said.

“I’m waiting for Doc Blaine,” I answered. “I’m going over to old man Garfield’s with him.”

My grandfather sucked at his pipe awhile before he spoke again.

“Old Jim purty bad off?”

“Doc says he hasn’t a chance.”

“Who’s takin’ care of him?”

“Joe Braxton—­against Garfield’s wishes. But somebody had to stay with him.”

My grandfather sucked his pipe noisily, and watched the heat lightning playing away off up in the hills; then he said: “You think old Jim’s the biggest liar in this county, don’t you?”

“He tells some pretty tall tales,” I admitted. “Some of the things he claimed he took part in, must have happened before he was born.”

“I came from Tennesee to Texas in 1870,” my grandfather said abruptly. “I saw this town of Lost Knob grow up from nothin’. There wasn’t even a log-hut store here when I came. But old Jim Garfield was here, livin’ in the same place he lives now, only then it was a log cabin. He don’t look a day older now than he did the first time I saw him.”

“You never mentioned that before,” I said in some surprise.

“I knew you’d put it down to an old man’s maunderin’s,” he answered. “Old Jim was the first white man to settle in this country. He built his cabin a good fifty miles west of the frontier. God knows how he done it, for these hills swarmed with Comanches then.

“I remember the first time I ever saw him. Even then everybody called him ‘old Jim.’

“I remember him tellin’ me the same tales he’s told you—­how he was at the battle of San Jacinto when he was a youngster, and how he’d rode with Ewen Cameron and Jack Hayes. Only I believe him, and you don’t.”

“That was so long ago—­” I protested.

“The last Indian raid through this country was in 1874,” said my grandfather, engrossed in his own reminiscences. “I was in on that fight, and so was old Jim. I saw him knock old Yellow Tail off his mustang at seven hundred yards with a buffalo rifle.

“But before that I was with him in a fight up near the head of Locust Creek. A band of Comanches came down Mesquital, lootin’ and burnin’, rode through the hills and started back up Locust Creek, and a scout of us were hot on their heels. We ran on to them just at sundown in a mesquite flat. We killed seven of them, and the rest skinned out through the brush on foot. But three of our boys were killed, and Jim Garfield got a thrust in the breast with a lance.

“It was an awful wound. He lay like a dead man, and it seemed sure nobody could live after a wound like that. But an old Indian came out of the brush, and when we aimed our guns at him, he made the peace sign and spoke to us in Spanish. I don’t know why the boys didn’t shoot him in his tracks, because our blood was heated with the fightin’ and killin’, but somethin’ about him made us hold our fire. He said he wasn’t a Comanche, but was an old friend of Garfield’s, and wanted to help him. He asked us to carry Jim into a clump of mesquite, and leave him alone with him, and to this day I don’t know why we did, but we did. It was an awful time—­the wounded moanin’ and callin’ for water, the starin’ corpses strewn about the camp, night comin’ on, and no way of knowin’ that the Indians wouldn’t return when dark fell.

“We made camp right there, because the horses were fagged out, and we watched all night, but the Comanches didn’t come back. I don’t know what went on out in the mesquite where Jim Garfield’s body lay, because I never saw that strange Indian again; but durin’ the night I kept hearin’ a weird moanin’ that wasn’t made by the dyin’ men, and an owl hooted from midnight till dawn.

“And at sunrise Jim Garfield came walkin’ out of the mesquite, pale and haggard, but alive, and already the wound in his breast had closed and begun to heal. And since then he’s never mentioned that wound, nor that fight, nor the strange Indian who came and went so mysteriously. And he hasn’t aged a bit; he looks now just like he did then—­a man of about fifty.”

In the silence that followed, a car began to purr down the road, and twin shafts of light cut through the dusk.

“That’s Doc Blaine,” I said. “When I come back I’ll tell you how Garfield is.”

Doc Blaine was prompt with his predictions as we drove the three miles of post-oak covered hills that lay between Lost Knob and the Garfield farm.

“I’ll be surprised to find him alive,” he said, “smashed up like he is. A man his age ought to have more sense than to try to break a young horse.”

“He doesn’t look so old,” I remarked.

“I’ll be fifty, my next birthday,” answered Doc Blaine. “I’ve known him all my life, and he must have been at least fifty the first time I ever saw him. His looks are deceiving.”

Old Garfield’s dwelling-place was reminiscent of the past. The boards of the low squat house had never known paint. Orchard fence and corrals were built of rails.

Old Jim lay on his rude bed, tended crudely but efficiently by the man Doc Blaine had hired over the old man’s protests. As I looked at him, I was impressed anew by his evident vitality. His frame was stooped but unwithered, his limbs rounded out with springy muscles. In his corded neck and in his face, drawn though it was with suffering, was apparent an innate virility. His eyes, though partly glazed with pain, burned with the same unquenchable element.

“He’s been ravin’,” said Joe Braxton stolidly.

“First white man in this country,” muttered old Jim, becoming intelligible. “Hills no white man ever set foot in before. Gettin’ too old. Have to settle down. Can’t move on like I used to. Settle down here. Good country before it filled up with cow-men and squatters. Wish Ewen Cameron could see this country. The Mexicans shot him. Damn ’em!”

Doc Blaine shook his head. “He’s all smashed up inside. He won’t live till daylight.”

Garfield unexpectedly lifted his head and looked at us with clear eyes.

“Wrong, Doc,” he wheezed, his breath whistling with pain. “I’ll live. What’s broken bones and twisted guts? Nothin’! It’s the heart that counts. Long as the heart keeps pumpin’, a man can’t die. My heart’s sound. Listen to it! Feel of it!”

He groped painfully for Doc Blaine’s wrist, dragged his hand to his bosom and held it there, staring up into the doctor’s face with avid intensity.

“Regular dynamo, ain’t it?” he gasped. “Stronger’n a gasoline engine!”

Blaine beckoned me. “Lay your hand here,” he said, placing my hand on the old man’s bare breast. “He does have a remarkable heart action.”

I noted, in the light of the coal-oil lamp, a great livid scar in the gaunt arching breast—­such a scar as might be made by a flint-headed spear. I laid my hand directly on this scar, and an exclamation escaped my lips.

Under my hand old Jim Garfield’s heart pulsed, but its throb was like no other heart action I have ever observed. Its power was astounding; his ribs vibrated to its steady throb. It felt more like the vibrating of a dynamo than the action of a human organ. I could feel its amazing vitality radiating from his breast, stealing up into my hand and up my arm, until my own heart seemed to speed up in response.

“I can’t die,” old Jim gasped. “Not so long as my heart’s in my breast. Only a bullet through the brain can kill me. And even then I wouldn’t be rightly dead, as long as my heart beats in my breast. Yet it ain’t rightly mine, either. It belongs to Ghost Man, the Lipan chief. It was the heart of a god the Lipans worshipped before the Comanches drove ’em out of their native hills.

“I knew Ghost Man down on the Rio Grande, when I was with Ewen Cameron. I saved his life from the Mexicans once. He tied the string of ghost wampum between him and me—­the wampum no man but me and him can see or feel. He came when he knowed I needed him, in that fight up on the headwaters of Locust Creek, when I got this scar.

“I was dead as a man can be. My heart was sliced in two, like the heart of a butchered beef steer.

“All night Ghost Man did magic, callin’ my ghost back from spirit-land. I remember that flight, a little. It was dark, and gray-like, and I drifted through gray mists and heard the dead wailin’ past me in the mist. But Ghost Man brought me back.

“He took out what was left of my mortal heart, and put the heart of the god in my bosom. But it’s his, and when I’m through with it, he’ll come for it. It’s kept me alive and strong for the lifetime of a man. Age can’t touch me. What do I care if these fools around here call me an old liar? What I know, I know. But hark’ee!”

His fingers became claws, clamping fiercely on Doc Blaine’s wrist. His old eyes, old yet strangely young, burned fierce as those of an eagle under his bushy brows.

“If by some mischance I should die, now or later, promise me this! Cut into my bosom and take out the heart Ghost Man lent me so long ago! It’s his. And as long as it beats in my body, my spirit’ll be tied to that body, though my head be crushed like an egg underfoot! A livin’ thing in a rottin’ body! Promise!”

“All right, I promise,” replied Doc Blaine, to humor him, and old Jim Garfield sank back with a whistling sigh of relief.

He did not die that night, nor the next, nor the next. I well remember the next day, because it was that day that I had the fight with Jack Kirby.

People will take a good deal from a bully, rather than to spill blood. Because nobody had gone to the trouble of killing him, Kirby thought the whole countryside was afraid of him.

He had bought a steer from my father, and when my father went to collect for it, Kirby told him that he had paid the money to me—­which was a lie. I went looking for Kirby, and came upon him in a bootleg joint, boasting of his toughness, and telling the crowd that he was going to beat me up and make me say that he had paid me the money, and that I had stuck it into my own pocket. When I heard him say that, I saw red, and ran in on him with a stockman’s knife, and cut him across the face, and in the neck, side, breast and belly, and the only thing that saved his life was the fact that the crowd pulled me off.

There was a preliminary hearing, and I was indicted on a charge of assault, and my trial was set for the following term of court. Kirby was as tough-fibered as a post-oak country bully ought to be, and he recovered, swearing vengeance, for he was vain of his looks, though God knows why, and I had permanently impaired them.

And while Jack Kirby was recovering, old man Garfield recovered too, to the amazement of everybody, especially Doc Blaine.

I well remember the night Doc Blaine took me again out to old Jim Garfield’s farm. I was in Shifty Corlan’s joint, trying to drink enough of the slop he called beer to get a kick out of it, when Doc Blaine came in and persuaded me to go with him.

As we drove along the winding old road in Doc’s car, I asked: “Why are you insistent that I go with you this particular night? This isn’t a professional call, is it?”

“No,” he said. “You couldn’t kill old Jim with a post-oak maul. He’s completely recovered from injuries that ought to have killed an ox. To tell the truth, Jack Kirby is in Lost Knob, swearing he’ll shoot you on sight.”

“Well, for God’s sake!” I exclaimed angrily. “Now everybody’ll think I left town because I was afraid of him. Turn around and take me back, damn it!”

“Be reasonable,” said Doc. “Everybody knows you’re not afraid of Kirby. Nobody’s afraid of him now. His bluff’s broken, and that’s why he’s so wild against you. But you can’t afford to have any more trouble with him now, and your trial only a short time off.”

I laughed and said: “Well, if he’s looking for me hard enough, he can find me as easily at old Garfield’s as in town, because Shifty Corlan heard you say where we were going. And Shifty’s hated me ever since I skinned him in that horse-swap last fall. He’ll tell Kirby where I went.”

“I never thought of that,” said Doc Blaine, worried.

“Hell, forget it,” I advised. “Kirby hasn’t got guts enough to do anything but blow.”

But I was mistaken. Puncture a bully’s vanity and you touch his one vital spot.

Old Jim had not gone to bed when we got there. He was sitting in the room opening on to his sagging porch, the room which was at once living-room and bedroom, smoking his old cob pipe and trying to read a newspaper by the light of his coal-oil lamp. All the windows and doors were wide open for the coolness, and the insects which swarmed in and fluttered around the lamp didn’t seem to bother him.

We sat down and discussed the weather—­which isn’t so inane as one might suppose, in a country where men’s livelihood depends on sun and rain, and is at the mercy of wind and drouth. The talk drifted into other kindred channels, and after some time, Doc Blaine bluntly spoke of something that hung in his mind.

“Jim,” he said, “that night I thought you were dying, you babbled a lot of stuff about your heart, and an Indian who lent you his. How much of that was delirium?”

“None, Doc,” said Garfield, pulling at his pipe. “It was gospel truth. Ghost Man, the Lipan priest of the Gods of Night, replaced my dead, torn heart with one from somethin’ he worshipped. I ain’t sure myself just what that somethin’ is—­somethin’ from away back and a long way off, he said. But bein’ a god, it can do without its heart for awhile. But when I die—­if I ever get my head smashed so my consciousness is destroyed—­the heart must be given back to Ghost Man.”

“You mean you were in earnest about cutting out your heart?” demanded Doc Blaine.

“It has to be,” answered old Garfield. “A livin’ thing in a dead thing is opposed to nat’er. That’s what Ghost Man said.”

“Who the devil was Ghost Man?”

“I told you. A witch-doctor of the Lipans, who dwelt in this country before the Comanches came down from the Staked Plains and drove ’em south across the Rio Grande. I was a friend to ’em. I reckon Ghost Man is the only one left alive.”

“Alive? Now?”

“I dunno,” confessed old Jim. “I dunno whether he’s alive or dead. I dunno whether he was alive when he came to me after the fight on Locust Creek, or even if he was alive when I knowed him in the southern country. Alive as we understand life, I mean.”

“What balderdash is this?” demanded Doc Blaine uneasily, and I felt a slight stirring in my hair. Outside was stillness, and the stars, and the black shadows of the post-oak woods. The lamp cast old Garfield’s shadow grotesquely on the wall, so that it did not at all resemble that of a human, and his words were strange as words heard in a nightmare.

“I knowed you wouldn’t understand,” said old Jim. “I don’t understand myself, and I ain’t got the words to explain them things I feel and know without understandin’. The Lipans were kin to the Apaches, and the Apaches learnt curious things from the Pueblos. Ghost Man was—­that’s all I can say—­alive or dead, I don’t know, but he was. What’s more, he is.”

“Is it you or me that’s crazy?” asked Doc Blaine.

“Well,” said old Jim, “I’ll tell you this much—­Ghost Man knew Coronado.”

“Crazy as a loon!” murmured Doc Blaine. Then he lifted his head. “What’s that?”

“Horse turning in from the road,” I said. “Sounds like it stopped.”

I stepped to the door, like a fool, and stood etched in the light behind me. I got a glimpse of a shadowy bulk I knew to be a man on a horse; then Doc Blaine yelled: “Look out!” and threw himself against me, knocking us both sprawling. At the same instant I heard the smashing report of a rifle, and old Garfield grunted and fell heavily.

“Jack Kirby!” screamed Doc Blaine. “He’s killed Jim!”

I scrambled up, hearing the clatter of retreating hoofs, snatched old Jim’s shotgun from the wall, rushed recklessly out on to the sagging porch and let go both barrels at the fleeing shape, dim in the starlight. The charge was too light to kill at that range, but the bird-shot stung the horse and maddened him. He swerved, crashed headlong through a rail fence and charged across the orchard, and a peach tree limb knocked his rider out of the saddle. He never moved after he hit the ground. I ran out there and looked down at him. It was Jack Kirby, right enough, and his neck was broken like a rotten branch.

I let him lie, and ran back to the house. Doc Blaine had stretched old Garfield out on a bench he’d dragged in from the porch, and Doc’s face was whiter than I’d ever seen it. Old Jim was a ghastly sight; he had been shot with an old-fashioned .45-70, and at that range the heavy ball had literally torn off the top of his head. His features were masked with blood and brains. He had been directly behind me, poor old devil, and he had stopped the slug meant for me.

Doc Blaine was trembling, though he was anything but a stranger to such sights.

“Would you pronounce him dead?” he asked.

“That’s for you to say.” I answered. “But even a fool could tell that he’s dead.

“He is dead,” said Doc Blaine in a strained unnatural voice. “Rigor mortis is already setting in. But feel his heart!”

I did, and cried out. The flesh was already cold and clammy; but beneath it that mysterious heart still hammered steadily away, like a dynamo in a deserted house. No blood coursed through those veins; yet the heart pounded, pounded, pounded, like the pulse of Eternity.

“A living thing in a dead thing,” whispered Doc Blaine, cold sweat on his face. “This is opposed to nature. I am going to keep the promise I made him. I’ll assume full responsibility. This is too monstrous to ignore.”

Our implements were a butcher-knife and a hack-saw. Outside only the still stars looked down on the black post-oak shadows and the dead man that lay in the orchard. Inside, the old lamp flickered, making strange shadows move and shiver and cringe in the corners, and glistened on the blood on the floor, and the red-dabbled figure on the bench. The only sound inside was the crunch of the saw-edge in bone; outside an owl began to hoot weirdly.

Doc Blaine thrust a red-stained hand into the aperture he had made, and drew out a red, pulsing object that caught the lamplight. With a choked cry he recoiled, and the thing slipped from his fingers and fell on the table. And I too cried out involuntarily. For it did not fall with a soft meaty thud, as a piece of flesh should fall. It thumped hard on the table.

Impelled by an irresistible urge, I bent and gingerly picked up old Garfield’s heart. The feel of it was brittle, unyielding, like steel or stone, but smoother than either. In size and shape it was the duplicate of a human heart, but it was slick and smooth, and its crimson surface reflected the lamplight like a jewel more lambent than any ruby; and in my hand it still throbbed mightily, sending vibratory radiations of energy up my arm until my own heart seemed swelling and bursting in response. It was cosmic power, beyond my comprehension, concentrated into the likeness of a human heart.

The thought came to me that here was a dynamo of life, the nearest approach to immortality that is possible for the destructible human body, the materialization of a cosmic secret more wonderful than the fabulous fountain sought for by Ponce de Leon. My soul was drawn into that unterrestrial gleam, and I suddenly wished passionately that it hammered and thundered in my own bosom in place of my paltry heart of tissue and muscle.

Doc Blaine ejaculated incoherently. I wheeled.

The noise of his coming had been no greater than the whispering of a night wind through the corn. There in the doorway he stood, tall, dark, inscrutable—­an Indian warrior, in the paint, war bonnet, breech-clout and moccasins of an elder age. His dark eyes burned like fires gleaming deep under fathomless black lakes. Silently he extended his hand, and I dropped Jim Garfield’s heart into it. Then without a word he turned and stalked into the night. But when Doc Blaine and I rushed out into the yard an instant later, there was no sign of any human being. He had vanished like a phantom of the night, and only something that looked like an owl was flying, dwindling from sight, into the rising moon.


Robert Ervin Howard (January 22, 1906 – June 11, 1936) was an American writer. He wrote pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarian and is regarded as the father of the sword and sorcery subgenre.

Howard was born and raised in Texas. He spent most of his life in the town of Cross Plains, with some time spent in nearby Brownwood. A bookish and intellectual child, he was also a fan of boxing and spent some time in his late teens bodybuilding, eventually taking up amateur boxing. From the age of nine he dreamed of becoming a writer of adventure fiction but did not have real success until he was 23. Thereafter, until his death by suicide at age 30, Howard’s writings were published in a wide selection of magazines, journals, and newspapers, and he became proficient in several subgenres. His greatest success occurred after his death…

from Wikipedia


“Old Garfield’s Heart” was first published in Weird Tales in December, 1933.

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