Rural Fiction Magazine (RFM) would like to publish more writers from around the world, regardless of your country of origin.
I am seeking short fiction and poetry and non-fiction articles on topics of interest to a rural audience in any nation, but I am open to more than just fiction and poetry. I am also open to short plays, folklore, legends, tall tales, essays, etc. I am open to almost all genres such as fantasy, science-fiction, horror, mainstream, literary, romance, etc, so long as they are connected to rural life and/or have a rural setting.
Your work must be in English. It can a translation from your native language, but it must be in English, which is spoken around the globe and gives the work and author substantial worldwide exposure.
Please note that there is no pay for this other than a publication credit and exposure to the American and English markets. However, all rights remain with the author.
Currently, RFM is publishing material within a few weeks of acceptance, though this may vary depending on the number of submissions.
Please re-post or share this announcement to give it maximum exposure.
Rural Fiction Magazine (RFM) would like to publish more writers from around the world, regardless of your country of origin.
I am seeking short fiction and poetry and non-fiction articles on topics of interest to a rural audience in any nation, but I am open to more than just fiction and poetry. I am also open to short plays, folklore, legends, tall tales, essays, etc. I am open to almost all genres such as fantasy, science-fiction, horror, mainstream, literary, romance, etc, so long as they are connected to rural life and/or have a rural setting.
Your work must be in English. It can a translation from your native language, but it must be in English, which is spoken around the globe and gives the work and author substantial worldwide exposure.
Please note that there is no pay for this other than a publication credit and exposure to the American and English markets. However, all rights remain with the author.
Currently, RFM is publishing material within a few weeks of acceptance, though this may vary depending on the number of submissions.
Please re-post or share this announcement to give it maximum exposure.
The townie bus smells like cigarette smoke.
Worry lines and haggard faces.
I am ashamed to admit I prefer the student buses.
My father tells me he is nostalgic for the smell,
his mother, smoke whispering from her mouth.
I am ashamed to admit I flinch at the memory of her sunken cheeks
begging him for money to buy more.
The man at the bus stop smells of cigarettes and chorizo. His brown, beaten jacket looks like my father’s. My coat is clean, a new backpack on my shoulders.
He does not look at me.
Kestrel Jacobs is a university student, activist, and writer whose work primarily explores the embodiment of disability and queerness. They live in rural upstate New York with their two cats.
Rural Fiction Magazine (RFM) would like to publish more writers from around the world, regardless of your country of origin.
I am seeking short fiction and poetry and non-fiction articles on topics of interest to a rural audience in any nation, but I am open to more than just fiction and poetry. I am also open to short plays, folklore, legends, tall tales, essays, etc. I am open to almost all genres such as fantasy, science-fiction, horror, mainstream, literary, romance, etc, so long as they are connected to rural life and/or have a rural setting.
Your work must be in English. It can a translation from your native language, but it must be in English, which is spoken around the globe and gives the work and author substantial worldwide exposure.
Please note that there is no pay for this other than a publication credit and exposure to the American and English markets. However, all rights remain with the author.
Currently, RFM is publishing material within a few weeks of acceptance, though this may vary depending on the number of submissions.
Please re-post or share this announcement to give it maximum exposure.
“You can pretend you talk to Him
But He ain’t here
He’s gone.”
You’re here.
The day sunny and windless – rare during the winter.
Carrion birds stalk lower and lower, suddenly sail up, then
scroll their way down, finally shooting back up carrying
their cemetery.
You’re here.
But you’re not sure why. Through some fault of yours?
Who is so angry with you that they’d do this?
Is it something you failed to do?
Maybe, because of all the other things you did but were not
caught?
Nevertheless, you are here.
And your throat constricts, then reverses itself
from a stench that chokes as you awaken to glide
from sleep into reality inside what remains of your domicile
with walls the color of ash.
You settle inside a ghostly vision. Try to sort your thoughts,
but your memory screams within its cage
Hunched forward at a round table.
To your right a man who killed four women
after climbing through their second story windows
then stomping them with his climbing spikes.
To your left a man with two dull blue teardrops
below his right eye.
Tomorrow each will pass the other in silence.
Gaze through. Walk as if not there.
It’s a hard lesson learned – that invisible line you cannot cross.
Not a gate. Nor a fence. Nor a wall.
But a two-foot demarcation inside which you are required
to turn away – look down, hands rigid at your sides, palms exposed.
Your place is away and away from.
What you do not know, but will learn is
your decisions and choices have vanished.
From this point forward, you cannot make
an independent decision about where,
or for how long you can sleep,
where your drinking water comes from,
where, or for how long, you can sit.
Someone else decides for you.
Your decision-making ability peeled away –
food, amount, availability, quality,
When to eat, where to eat.
Someone else decides for you.
Nor can you decide on the temperature or
quality of the air you breathe. Nor your clothes,
their cleanliness, not even when and with whom
you shower. You can no longer decide whether
to open a door, to close a door,
to stand beside a door, to pass through a door.
Someone else decides for you.
You no longer decide how much reading light to have.
Nor when that light will be dimmed or turned off.
Not your toothpaste. Not your toothbrush.
Someone else’s decision.
Basic medical care. Not today.
A doctor, unable to speak English or Spanish,
might be here on Tuesday. Maybe, if he is not somewhere else.
Pray you do not have any illness requiring medicine not on the formulary. If so, you are shit out of luck.
Pray there’s someone to talk with
There isn’t.
Pretend you’re not here, but you are.
Someone else has made that decision for you.
A Place You Could Not Follow
I’ll soon be there
And our lives, still joined, will separate
Maybe ever so slightly - a crack in the foundation
Possible deeper and faster than anticipated
My speed will diminish
My understanding will lessen
My patience - such as it is – will dissolve
I barely survived yesterday -
Heart irregularities, dizziness, loss of balance
My fear – perhaps a recognition from decades
Working with physicians
negated a call to the doctor Only to be
sent to the emergency room Only to be
told to sit for ninety minutes To be
without medication Because
Doctors are in short supply Because
beds are in short supply Because
I’d rather die at home
even if alone
I remained silent as you left the house To
Help your brother To
Visit your grandson
I remained on our reclining divan In case
I fainted In case
the blood pressure cuff read lower
the pulse higher
than before you drove away
86/42 – 119 pulse
64/31 – 124 pulse
Repeated every fifteen minutes
Dizziness and disorientation as if from a blow to the head
Chest exhausted
Frozen inside stunned incomprehension Decisions
too complicated Movement
too difficult Breaths
too short.
At Home With You
Tomorrow when you emit some earthy epithet at a passing driver
you will be repeating my words
Every time you drive on I-70
you will remember I’m nearby
Whenever you hold a book, I will be there
When you touch your sons, you will remember me
When your granddaughter, and, many years later
your great-grandsons reach for you, you will see me
And each evening, I will be at home with you.
Thomas Elson’s poetry and stories appear in numerous venues, including Mad Swirl, Blink-Ink, Ellipsis, Scapegoat, Bull, Cabinet of Heed, Flash Frontier, Ginosko, Short Édition, Stillpoint, Journal of Expressive Writing, Dead Mule School, New Writing Scotland, New Ulster, Lampeter, and Adelaide. He divides his time between Northern California and Western Kansas.