All posts by Phil Slattery

Publisher, Rural Fiction Magazine; publisher, The Chamber Magazine; founder, the Farmington Writers Circle. I have written short stories and poetry for many years. In my careers as a Naval officer and in the federal government, I have written thousands of documents of many types. I am currently working on a second edition for my poetry collection and a few novels.

“Watching the Birds Rise” Short Story by Tom Riley

I was my paternal grandfather’s least favorite grandchild.  My father’s parents lived in Marshall, a small town to our west, and were farmers by experience and temperament, even though they lived in town and not at their farm, a quarter section of pastures and old growth woods on the chalky hills of the Missouri river valley.

My mother’s parents lived to our east in St. Louis.  As with all children who don’t yet recognize the differences in his family and others, I thought this symmetry was universal.  One had country grandparents and city grandparents.  We visited both for most holidays, and I was shipped off to both each summer, riding the greyhound bus for a week in the city or one in the country.

I find myself remembering these times more with each passing year, especially those with my Grampa and Gramma about Thanksgiving and Christmas.  As I’ve grown older, I’ve come to appreciate older things, and the rhythms and routines of rural life seemed rooted in more elemental times.  Those times feel largely lost now—life reduced to frenetic reactions to a torrent of forces we don’t control, not deep interactions with our own natural world, and I wonder if such a loss is so deep-seated that it may be recognized only in memory.   

One of my earliest memories was in Gramma’s and Grampa’s house, which sat on a street corner in downtown Marshall.  Headlights would shine into the tall windows of the bedroom where I slept and race around the top of the walls in different patterns as cars turned one way or another.   Our own house sat back from the road, so I wasn’t used to this, and I dimly recall staring at lights flickering above the bed, frightened by these apparitions, and ashamed when I eventually realized what they were.

Gramma and Grampa’s house was a Victorian filled with antiques, silver, hardwood, crystal, millwork, oil lamps, and innumerable fancy things I did not recognize but was afraid I’d break.  The house itself was so old it seemed alive, groaning with unfamiliar sounds and smells of yeast rising in the air even though Gramma’s kitchen was small, like an afterthought, next to the mudroom and backyard.  

Outside the kitchen, an apple tree, whose fruit was so tart there were always some for picking, covered the small yard next to a detached garage.  Underneath its branches was the dog pen, where Grampa’s dogs zoomed back and forth when I’d come for a visit, remembering my scent or knowing a trip to the farm would follow.  Grampa would let them out and Zero, the German shorthaired pointer, would almost knock me over with kisses, until Grampa would whistle, and she’d return to the kennel with a younger redbone coonhound in tow, whose name I don’t remember.

Then, Grampa would turn and carry my bag inside past a granite millstone and iron kettle and up the stoop to the kitchen, seemingly in just a step, while I raced to keep up. Grampa was a tall man for his age, stood bolt upright, and moved in a straight line no matter where he went.  Grampa seemed to walk not so much with determination, but with certainty of where he was headed; each step taken with the confidence of knowing where they would all end.  His long arms swung easily by his side like metronomes marking the constant rhythm of his pace.  I remember his hands the most.  Huge, with long fingers stretching from knuckles as big as peach pits, and skin course as sandpaper.  Grampa rarely looked at me, but he also rarely looked down, with all that knowledge of where he was going and how he’d get there I supposed.

When he would take me to the Homeplace, as he called the farm, which always confused me, we’d climb in his old beater Chevy truck with the dogs piled in back.  Grampa drove like he walked.  Always the same speed.  40 miles per hour on the highway out of town, as cars sped angrily past, and 40 miles per hour on the gravel road, as dust spewed violently behind us.  

Mister Porter, the farm’s caretaker, no longer lived in the small farmhouse, which sat empty next to the chicken coop and the barn with horses I’d feed apples I had picked and sometimes ride along the trails to the hills deep in country.

Grampa was not just a farmer, but also a hunter of some renown.  My dad had been too, and we would practice shooting, but I always wanted to hunt with Grampa.  It just was never the right time I guess.  So, we’d pull what was needed from their garden, or walk the back forty, or sometimes gather deadfall hardwoods after Grampa said they’d seasoned long enough.  Zero would perch proudly on top of the log pile we’d deliver to Gramma, who would light a fire and brag on what good wood I’d found.

The world was younger then, but seemed older, and as old things are ought to do, it shared its secrets most at the holidays, like the fancy dishes Gramma would haul from the musty basement once a year.  Moments of connection so powerful they sparkled above the monotone greyness of the dark seasons.

I rarely visited my grandparents over the holidays by myself, but I did one Thanksgiving.  I think someone was sick, and maybe that’s why Grampa said we could quail hunt.  I don’t remember exactly how old I was, but I know I was still the age when excitement always overpowered sleep, and I don’t think I slept a wink before Thanksgiving.  I watched the headlights circle the room until they went dark and listened to the branches of an old oak scraping the roof before the wind, too, went to sleep.

So, I was awake when I heard my grandparents moving and saw light under my bedroom door Thanksgiving morning.  I knew Grampa would never wake me, so I dressed quickly before heading down the back staircase to the kitchen.  I could smell ham cooking and hear Gramma humming softly above the popping grease; she smiled and told me to get my boots and coat so I’d be ready when Grampa was.  As I pulled on my muck boots, Gramma took the fried country ham, piled steaming slices in biscuits directly from the oven, and wrapped them in cloth napkins.  She poured a flask of coffee for Grampa and a thermos of hot chocolate for me.  When Grampa came down a few minutes later, Gramma handed each of us our sandwiches.  I was hungry, but I put the napkin in my coat pocket like Grampa did.  He grabbed his 12 gauge and my 410 and headed into the darkness and the cold.  

Zero and the redbone burst out of the pen when Grampa opened the gate.  For once, they didn’t jump on me but raced straight to the back of Grampa’s pick up and leaped into its bed.  I followed and slid stiffly onto the truck bench waiting for the heater to kick on.  The Chevy chortled to life, louder than usual, and we pulled onto the empty streets and headed toward the farm.  

I was nervous.  I liked practicing shooting clay pigeons with my dad. I knew to brace the stock against my shoulder, tracking the target through the sky, leading it slightly, and then pulling the trigger to vaporize it in orange dust.  More exciting than sitting waiting for a deer—I thought but didn’t know–because my mom wouldn’t let me shoot deer.  But, now, I would be hunting birds with Grampa.

It was still pitch black when we turned west off the highway onto gravel, our headlights bouncing furiously ahead, until swinging into the farm.  We stopped at the house for Grampa to start a fire in the franklin stove with all the kindling we could find to hand, before heading north into the land, Zero bounding ahead with us falling into a heel line behind.

I had always liked walks through the farm, where place is so deeply rooted time would bend and slow, or at least Grampa sometimes would.  But this morning seemed sharper, and I shivered in the bone cold as the hard frost cracked below our steps.

At first, we walked in emptiness, all crunching and breath, but after a while, climbing a barb wire fence and skirting cattails surrounding the far pond, the cold waned.  In the thinning blackness, fog rose from the pond like dog’s breath, and ground softened underfoot.  Feel soon gave way to sight, dimly revealing form and shape.  Twilight reflected below the eastern clouds onto the silver-tinged fields.  Most of the leaves were gone except for the oaks and sycamores.  Bare branches cleaved the dawning sky.

As we made our way to a coppice of ash, we could begin to see the colors left over from fall.  The brightness of sugar maples and sweetgums had long ago faded, and even the yellows of hickories and walnuts gathered round their trunks.  Only the rust of red oaks, burnt gold of sycamore leaves, and the ruddy green of scraggly cedars gave hue above the still dark earth.

When we descended into a hollow, a solitary cardinal song was joined by chirps of sparrows and trills of chickadees.  Further afield, we could hear the jays and crows cawing at one another —an argument that would go on until spring.

We followed a small stream winding lazily through underbrush of snakeroot below hawthorns crowded in a long draw.  Walking here was a chore, the cattle having grazed other fields, the switchgrass and bluestem, almost my height, bit as we walked, but, me and Grampa, we liked the gulleys, furrows, thickets, brakes, and untended edges of things.  They held warmth against the cold in winter like shade against the light.  So, it felt good beside the sheltered water before we pushed for high ground.  As we climbed, we chanced upon the scat of deer under a mulberry and followed their feetings in the vanishing frost over untouched hedge apples to the timber edge.

When we crested the hill, I was panting and even though Grampa was carrying my gun, I was slack tired.  But I didn’t say anything.  Grampa must have been tired too, though he didn’t look it, because he said we should sit on a downed pine log for breakfast.  With the pungent smell of pine needles rising around us and the dogs circling impatiently, we sat and ate.  I hurriedly downed the salt, buttery biscuits and ham and gulps of sweet chocolate as Grampa stared silently out across the fields where quail were roosting.  The faint daybreak shade retreated east.

Grampa loaded my 410 and handed it to me.  It felt surprisingly cold and heavy.  He said to walk ahead of him to his left with my gun facing out.  The dogs began close working a patch of vetch as we moved down from the hilltop.  

A redtail hawk screeched overhead but I couldn’t see it even in the dawnlight.  I held my gun awkwardly as Grampa whistled at Zero, who tracked toward an old fencerow below us with the coonhound holding hard behind.   I stared into the brambles piled around old posts looking for any movement.

As we closed to maybe 30 feet, Zero froze on point.  I looked back at Grampa who nodded toward the fencerow and I stepped closer, knowing he would give me first shot.  One more step.  A breath.  A snapped twig.  And the covey of quail shot from the brush, six birds erupting skyward.  

Startled, I lost my footing as I swung the 410 toward the quail now angling away.  When I regained my balance, pulled the gunstock into my shoulder, and fingered the trigger, I finally sited the quail, but they were already too far . . . sinking toward a stand of birch lining the creek in the valley floor. 

Then, I remember only my heart pounding in panic as I had not even taken a shot.  It seemed like an eternity before I could bring myself to look back at Grampa.  When I finally did, our eyes didn’t meet as he was staring ahead at the quail now far below, but he laid his hand on my shoulder.  His giant fingers now surprisingly light, and as I looked up again, I followed his gaze toward the creek where the quail were about to alight before whirring up and away again, drifting into the soft sunlight like sparks from a fire, below redtails now visibly circling overhead. Then Grampa smiled, and I knew everything was good.

I often remember that morning in that place with my Grampa.  And as my children have grown and I may have grandchildren of my own, I worry if I have such memories to give.  Maybe it’s just the years that have worn those moments smooth.  Or, maybe it is the wishful clarity afforded by distance.  Maybe, today requires more effort than I can muster to truly step outside.  Or maybe new traditions always replace old ones because nothing should stay the same.

Or maybe, there’s just nothing quite like standing chest high to your Grampa on an early winter morning watching the birds rise.


Tom is a lawyer in the small town of Fulton, Missouri.  He spends all the free time he can outside with his dogs, farming, gardening, and reading and writing about nature.


If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines

Please share this post to give it maximum distribution. Exposure is our contributors’ only compensation. Don’t forget to back link to this.

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.



Image generated by AI

Seeking Submissions from Around the World

Rural Fiction Magazine (RFM) would like to publish more writers from around the world, regardless of your country of origin. So far, RFM has readers and contributors from 46* nations.

RFM wants to develop talent, measuring it in a fair and equitable way to find hidden and disadvantaged talent in a world where not everybody has an equal chance to exhibit their abilities. RFM does not discriminate against anyone. The only personal criterium for publication is talent in use of English and in developing outstanding stories. Because RFM embraces the global community, RFM embraces differences, whether those are race, age, ethnicity, religion, gender, sexual orientation, or physical ability. RFM wants to see diversity in writing from around the world, from all time zones. RFM respects everyone’s voice and strives to create a culture in which people from all cultures, races, and backgrounds feel encouraged to express their ideas and perspectives. You can help our contributors gain exposure by sharing their works widely and also by back linking to them and to RFM’s homepage.

RFM is seeking short stories, poems, reviews and press releases, on rural fiction books that reflect the beauty, tranquility, joys, anguish, sorrows, humor, tragedy, comedy, and drama of rural life. RFM believes that all stories are about people and that genre is secondary. Therefore, RFM is open to almost all genres such as mainstream, literary, romance, horror, western, mystery, thriller, historical, realist, coming of age (Bildungsroman for those who speak German), science fiction, magical realism, dystopian, etc, so long as they are connected to rural life and culture anywhere in the world.

Your work must be in English. It can a translation from your native language, but it must be in English, which is spoken around the globe and gives the work and author substantial worldwide exposure.

For more information on what RFM is accepting and on the submissions guidelines, please go to our submissions page. To submit stories or poems use publisher@ruralfictionmagazine.com.

Please note that there is no pay for this other than a publication credit and exposure to the English-speaking markets. However, all rights remain with the author.

Currently, RFM is publishing material within a few weeks of acceptance, though this may vary depending on the number of submissions.

Please share this announcement to give it maximum exposure.

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.


*These nations include Canada, United Kingdom, India, Austria, Taiwan, Australia, Thailand, Japan, Ireland, Germany, Poland, New Zealand, Lithuania, Indonesia, Costa Rica, Greece, Singapore, South Korea, France, Netherlands, Sweden, Norway, Nigeria, Finland, Saudi Arabia, Romania, South Africa, Mexico, Bangladesh, Italy, Palestinian Territories, Guatemala, Switzerland, Nepal, Portugal, Barbados, Kenya, Malta, Hungary, Spain, Ukraine, Turkey, Oman, Brazil, Estonia, and Pakistan.


Three Poems by Diane Funston

Loneliest Highways
Three hours to go.
Coming from lonely highways,
over mountain passes
through rural towns.
Relaxed drive, audiobook novel.
Dogs asleep in backseat sun.

Startled, as too soon awakened,
dust whorls through Lone Pine.
Wind shakes out dirty rugs across road,
blinds, screams, tears down Vacancy signs,
does not slow for traffic.
Peeled-off metal panels from gas station pumps
cartwheel across the parking lot
while gasoline hoses dance like cobras on asphalt.

Jacket hood pasted to my head,
I herd my dogs into car from rest stop,
pull out onto road, slowly.
I drive with hands welded to steering wheel,
chassis swings, bumps, gyrates.
Wild throws confetti of leaves, celebrates
my cautious return to concrete coliseum
to face roaring velocity in my unarmed armor of car.

I pass through Lone Pine, dodge debris,
now filled with gasoline and determination,
I head slowly toward home.
The gusts fade with the miles,
they soon halt as I drive in to Olancha.
The road is mine again.
My speed picks up, I am on my way, faster,
back in the race I always have with myself
every time I return
across 357 miles, straight yellow lines, weather,
toward home, nothing gets in my way.

Death Valley Lake
Dry.
Void of activity.
Ancient.
The ceaseless wind repeats.
W
I
D
E
Spread out like cracked china,
wrinkled linen tablecloth.
No fish today, this once inland sea.
Harsh.
Sun. Heat. Clouds.
Little rain.
Empty lifeless bottom.
Crust.
Uneven trails of salt.
The Earth's tears.
Starter Home
I knew we had to fix it, sell it,
make it disappear.
The family home in the mountains
for over sixteen years,
my ex called it the starter house,
but it never was.

Pine cabin on an acre and a half,
twelve miles from a small town,
an hour away from Bakersfield,
four seasons of seclusion .

We’d taken so many photographs
of the bobcats, deer, rainbow of birds
that adorned the view.
a home I thought I'd never leave.

I planted 35 trees,
now they’re thriving
since my now husband installed irrigation
they were dry,
as I was, in conservative horse country.

I will choose what to bring
back from the cabin.
The wildlife was always the best part,
and now I am the one who roams free.


Diane Funston has been published in journals including Lake Affect, F(r)iction, Penumbra, Still Points Quarterly, among others.  She served as Poet-in-Residence for Yuba-Sutter Arts and Culture.  Her chapbook, “Over the Falls” was published by Foothills Publishing.  She lives in rural California with her husband and three rescue dogs. 

Facebook Diane Funston Author and Artist 

Instagram @Diane Funston 


Please share this story to give it maximum distribution. Exposure is our authors’ only pay. You can also help our contributors gain exposure by linking to them and to RFM’s homepage.

If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.



Image generated by AI

“It’s a Dog-Eat-Chicken World Out There” Short Story by Michael M. Dewitt Jr.

“Pop, there are some good dogs out there, the kind of dogs that go to heaven one day, but that dog ain’t one of them.”

I said those prophetic words to my father the day he rescued the troublesome stray from the animal shelter—paroled would be a better word—but little did I know the full extent of the trouble ahead. The dog in question was now firmly detained inside a cage in the back of Dad’s pickup as we drove to deal with his latest crimes. 

“I needed a good guard dog, and he keeps the foxes, coyotes and burglars away,” Pop had said that day in the dog’s defense, even as the mutt was gnawing up a good electrical cord, urinating on my tires and looking for a garden hose to eat.

  “He also keeps away the delivery man, the mail lady, and the Girl Scouts selling cookies,” I had retorted. 

Butch came into our lives rather abruptly, kind of like an ominous growth that suddenly appears on your backside, and I was itching to have him removed. Unfortunately, Pop was a lover of almost all animals. Any stray that showed up on his farm got a cot and three square meals a day, no background check needed, no questions asked. He even liked cats, that’s how bad it was.

Of course, my dog and family pet, Barkley, took up with Butch right way. He was always one to succumb to peer pressure and follow the wrong crowd. Soon, Butch had Barkley out all hours of the night, chasing skirts and cars, and hanging out with a pack of other unsavory felons. Before we knew it, all the unprotected maidens along Speed Limit Road became “great with pup.” Phone calls began pouring in from the owners of the dishonored lady dogs, demanding child support from the tramp or his owner.

Then the killings started. 

Reports began circulating around the neighborhood of missing, dead, and partially eaten chickens. For a while it was a mystery to everyone but me, but eventually one of the neighbors recorded video evidence from a home security camera and took it to the proper authorities. Sure enough, right there in black and white, was Butch, inside the man’s chicken pen with a hen in his mouth, while my idiot dog was standing there as the lookout, grinning and looking directly at the camera, his fluorescent orange collar leaving no doubt the accomplice was Barkley. It was like watching a Netflix true crime documentary where the accused gets caught red handed on tape. I made a mental note to buy him a new blue collar later in hopes of plausible deniability. 

For those of you who don’t know the frontier code of rural South Carolina, there is no mercy for a varmint that dares kill and eat a live chicken, especially a good, productive laying hen. My late Granny, bless her Southern heart, once “whupped” a chicken-tasting dog so bad that I confessed to eating the bird myself just to save him. Both the dog and I sat in church that next Sunday and took Jesus as our Lord and Savior. 

As we drove on our apology tour from angry farmer to angry farmer, from henhouse to henhouse, the county animal control officer’s warning still rang in my ears: “Shut that dog up and make amends to the property owners, or I’ll sock you with a hefty fine and have the dog euthanized!”

Even then, Pop still foolishly thought the canine criminal could be rehabilitated. But being an animal lover wasn’t Pop’s only flaw. He also suffered from honesty, with the occasional bout of good citizenship, so he willingly paid every chicken farmer for the dead birds or offered to replace their losses with chickens of his own. 

The final visit was with an old farmer everyone called Possum Pete. Possum was a neighbor no one associated with for reasons of both hygiene and reputation. He was sitting on his porch barefooted and wearing crusty overalls, a shotgun leaning against the wall behind him, waiting for us when we pulled up, dust billowing about from his dirt drive. The house was every bit of a hundred years old and in disrepair, and there was a foul smell to the place that I couldn’t describe at first. 

Surrounding the old farmhouse was the most motley assortment of ragged, run-down animals I had ever seen. There was a one-eyed calico dog, a three-legged hound dog with flies buzzing around him who may or may not have been merely sleeping, a gaunt milk cow with sagging udders and every rib in her body visible, an equally pathetic horse that needed shoeing, a pen full of the wormiest, sloppiest hogs ever to root the earth, and a small flock of mangy, free-range chickens pecking the bare dirt yard. One chicken had a broken wing that pointed almost skyward, a second had multiple pink spots of hide showing where it had been severely henpecked, and another was almost completely bald, as if Possum had plucked its feathers to butcher the animal for supper but changed his mind before throwing it in the pot. Outward appearances aside, in terms of meat on the bone you could probably butcher the whole flock and barely have enough meat for a chicken salad sandwich, and it would probably kill half of them to pass a decent-sized egg. 

“Pop, I think you’re in luck,” I whispered before we climbed from the truck. “I don’t think those sickly, scrawny chickens are worth more than a couple dollars apiece.”

“That the livestock murderer you got back there?” Possum called, reaching for his shotgun. The gun, like everything else about the place, was also an old, ragged affair, held together with wire and duct tape. “He damn sure looks like a cold-blooded chicken killer to me!”

Butch was trying not to make eye contact with the angry farmer, or stare at the free-range chickens for too long. Apparently, that dog was smarter than I gave him credit for.

“Now hold on!” Pop called back; hands raised as we approached. “There’s no need for the gun. I’ve come to make things right and apologize.”

“You’re damn right you’re gonna make things right,” Possum said, spitting on the dirty porch floor. His spittle was brown, but I don’t think he was chewing tobacco. “I talked to me a lawyer, that big shot over in Hampton. He told me that I’m owed some restitution, compensation, and maybe even some reparations. Oh, and he also said something about my emotional infliction and pain and suffering, and I’ve got some actual and punishable damages coming to me, too, or else we gonna have to take this matter up before the Supreme Court there in town.”

“Hold on now,” Pop stammered. “There’s no need to get the courts and any crooked lawyers involved. You just tell me how much you paid for those chickens, or give me a fair market value of what they’re worth, and I’ll write you a check right now. Plus, I’ll throw in a few of my best egg layers just as my way of saying I’m sorry. We can settle this whole business right now, and I promise you it won’t happen again.”

An awkward silence filled the yard of the farmstead, save for the occasional cluck of the surviving chickens and growl of empty animal bellies, as the old farmer thought this over. Maybe it was the way the sunlight struck the porch, but I could swear that Possum’s yellowish, red-rimmed eyes kind of glittered and shined with some furtive, hidden intelligence, or was that pure evil I saw there?

“Fair market value, you say?” Possum asked with a sly grin, before putting his head down in renewed grief. “Well, that scoundrel right there killed 12 of my best chickens. My show chickens, at that!”

I found it strange that Butch had killed such a large and even number of chickens—an even dozen—but I kept my mouth shut. Pop had agreed to pay for all this, so I let him handle the negotiations. My dog was merely an accomplice, as it were, not the ringleader and primary suspect. 

“Show chickens?” Pop asked.

“You know, the kind you take down to the county fair and win a blue ribbon with. Yep, six of them poor lost souls were top-dollar, full-blooded chickens with papers! Struck down in their prime! I probably shouldn’t take less than $25 bucks a head for those.”

I took another glance around the yard at the mangy animal misfits. Most of them needed feeding, doctoring, and worming, and a couple needed rescuing and rehoming. There were a few that looked like they might not survive to see sundown. That three-legged dog hadn’t moved since we got there, so I was pretty sure by then that it needed a hole in the ground. But I sure didn’t see any blue-ribbon candidates.

“Papers?” I asked, astounded. “You mean like when you have a AKC registered dog with papers?”

“25 bucks!” My father blurted, more to the point. “Right now, I can buy chickens at the market all day long for only five or ten bucks!”

“And then there’s that half dozen of my heritage chickens your monster of a dog ripped to pieces,” Possum continued. “I’ll have you know those birds were descended from The Original Chicken!”

I had a feeling that this was about to get ugly and out of hand.

“The original chicken?” Pop asked, likely afraid to know the answer.

“Yep, them chickens that your dog kilt and ate came from a straight bloodline all the way back to the very first chicken that came over here on the Mayflower and landed at Plymouth Rock,” Possum didn’t miss a beat. By then he was grinning a mostly toothless grin from the porch while trying to feign grief and outrage at the same time, which is not an easy feat. “I’m no history scientist, but I’d be willing to bet before she got on that boat that chicken used to lay eggs for the Queen of England herself! Hell, for all I know that hen might have come descended from the pair that was holed up on Noah’s Ark! My granddaddy used to have papers on all that, but you know, Sherman burned them up when he burnt all those courthouses during the Civil War, so you’ll have to take my word for it.”

“I’ma have to ask at least $50 bucks a piece for those dead birds,” Possum added solemnly, shaking his head in mock grief, “But then I still have all this mental infliction and painful suffering to deal with.”

Pop’s face was turning a shade of purple. I wasn’t sure if it was anger, stress, a cardiac event, or just the strain of doing so much math in his head. I had stopped multiplying the math out after the first batch. I was hoping that he had brought his nitro pills for his heart.  

“But if you think all that’s too much,” Possum concluded with an undisguised, unapologetic smirk, “I can stop by and see the animal control officer on my way to the courthouse.”

By the time we pulled out of the driveway, I was beginning to suspect that Pop wasn’t that much of an animal lover anymore, and shooting that dog began to look better and better with each dollar added. But knowing Pop, he would let the felon off with probation and house arrest. We drove home in strained silence for a while before Pop finally spoke, mouth full of heart pills. 

“You can’t really blame the dog, you know. Dogs are predators, carnivores, and it’s their instinct to hunt and kill and eat things. I reckon it’s the way God made ‘em. And sometimes these things just happen.”

I looked in the mirror at the dumb dog hanging his head out of the bed of the truck. Butch was almost smiling, ears flapping in the wind, happy to be alive, to see another day and probably eat another chicken. I glanced back at the dashboard to the nitro pill bottle and Pop’s checkbook that were both just a little lighter than before. 

It’s a dog-eat-chicken world out there, but somehow, I don’t think canines are the only predators an honest man has to worry about.   


Michael M. DeWitt Jr. is a multiple-award-winning journalist, longtime editor of the 144-year-old The Hampton County Guardian, author of four books, including Images of America – Hampton County, Wicked Hampton County and Fall of the House of Murdaugh, and host of the Wicked South Podcast.  DeWitt’s work has been published in print and online around Gannett’s nationwide USA TODAY Network, and he has appeared on ABC’s 20/20, CBS’s 48 Hours, Dateline NBC, and Netflix documentaries. 

  As a humorist, DeWitt’s award-winning Southern humor newspaper column, “Southern Voices, Southern Stories,” was published in newspapers from Cape Cod to northern California, and he has been a regular contributor for South Carolina Wildlife magazine, Sporting Classics magazine, and its online counterpart, Sporting Classics Daily.


Please share this story to give it maximum distribution. Exposure is our authors’ only pay. You can also help our contributors gain exposure by linking to them and to RFM’s homepage.

If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.



Image generated by AI

Global Call for Rural Fiction Writers

Share Your Rural Tales with the World!

Embrace the Beauty of Rural Life

Rural Fiction Magazine is on a mission to showcase the rich tapestry of rural experiences from around the globe. Whether you’re penning heartwarming tales, poignant poems, or insightful reviews on rural fiction books, we want your voice! Our open-minded approach means we welcome all genres—be it romance, horror, or magical realism—as long as it connects to rural life. Your story matters!

A Worldwide Platform for Diverse Voices

With contributors from 46* countries and counting, RFM celebrates the universal human experience. By submitting your work, you join a vibrant community that transcends borders. Share your unique perspective and connect with readers who appreciate the beauty and complexity of rural narratives.

RFM wants to develop talent, measuring it in a fair and equitable way to find hidden and disadvantaged talent in a world where not everybody has an equal chance to exhibit their abilities. RFM does not discriminate against anyone. The only personal criterium for publication is talent in use of English and in developing outstanding stories. Because RFM embraces the global community, RFM embraces differences, whether those are race, age, ethnicity, religion, gender, sexual orientation, or physical ability. RFM wants to see diversity in writing from around the world, from all time zones. RFM respects everyone’s voice and strives to create a culture in which people from all cultures, races, and backgrounds feel encouraged to express their ideas and perspectives. You can help our contributors gain exposure by sharing their works widely and also by back linking to them and to RFM’s homepage.

Fast Publication for Your Creative Work

No waiting indefinitely to see your words in print! At RFM, we pride ourselves on our efficiency—most submissions are published within weeks of acceptance. Get ready to inspire others and gain well-deserved exposure in English-speaking markets including the USA, UK, Canada, Australia, New Zealand, and Ireland.

Your Voice Matters – Take Action Today!

Ready to share your story? Visit our submissions page for detailed guidelines and join us in celebrating rural fiction’s diverse tapestry. Remember: while there’s no monetary compensation beyond publication credit and exposure, your writing will resonate with an audience eager for authentic voices like yours.

For more information on what RFM is accepting and on the submissions guidelines, please go to our submissions page. To submit stories or poems use publisher@ruralfictionmagazine.com.

Spread the Word!

Please share this announcement far and wide to help us discover exceptional talent from every corner of the world!

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.


*These nations include Canada, United Kingdom, India, Austria, Taiwan, Australia, Thailand, Japan, Ireland, Germany, Poland, New Zealand, Lithuania, Indonesia, Costa Rica, Greece, Singapore, South Korea, France, Netherlands, Sweden, Norway, Nigeria, Finland, Saudi Arabia, Romania, South Africa, Mexico, Bangladesh, Italy, Palestinian Territories, Guatemala, Switzerland, Nepal, Portugal, Barbados, Kenya, Malta, Hungary, Spain, Ukraine, Turkey, Oman, Brazil, Estonia, and Pakistan.



Image generated by AI