All posts by Phil Slattery

Publisher, Rural Fiction Magazine; publisher, The Chamber Magazine; founder, the Farmington Writers Circle. I have written short stories and poetry for many years. In my careers as a Naval officer and in the federal government, I have written thousands of documents of many types. I am currently working on a second edition for my poetry collection and a few novels.

Now Accepting Examples of Oral Storytelling

Storytelling--Rural Fiction Magazine

Rural Fiction Magazine (RFM) is going to try an experiment. RFM is now accepting submissions that exemplify the rich oral tradition of storytelling.

What we term fiction today is one of the current forms of the ancient storytelling tradition. Storytelling has been around since before the invention of writing. In fact, storytelling has probably existed since humans first developed the ability to speak. Most, if not all, cultures have some tradition of storytelling, which for most of human history was the only way to communicate and preserve concepts, experiences, and a culture’s history before the advent of writing. In some modern cultures, oral storytelling has developed into an art form. Oral storytelling competitions and organizations keeping the tradition alive are prevalent in many areas today including in many rural and agrarian societies where it is an important and intricate part of the traditional culture.

For these reasons, Rural Fiction Magazine is going to veer a little off the usual course for a literary magazine and will accept submissions of traditionally oral stories. These can include stories that have been passed from generation to generation, folklore, tall tales, stories told around a campfire, and any other type of story which has traditionally been circulated with the voice. These stories may be on any subject but should be an example of the oral storytelling tradition. They may be written or submitted as a video or podcast or in any medium that reflects the oral storytelling tradition.

Questions and comments can be sent to the publisher via slatterypublishing@gmail.com.

Follow this link to the RFM Submission guidelines.


“The Gift of The Magi” Classic American Short Fiction by O. Henry

Rural Fiction Magazine: "The Gift of the Magi" by O. Henry

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.”

The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, though, they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a gray cat walking a gray fence in a gray backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honor of being owned by Jim.

There was a pier glass between the windows of the room. Perhaps you have seen a pier glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: “Mme. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade.

“Twenty dollars,” said Madame, lifting the mass with a practised hand.

“Give it to me quick,” said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

“If Jim doesn’t kill me,” she said to herself, “before he takes a second look at me, he’ll say I look like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eighty-seven cents?”

At 7 o’clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit of saying a little silent prayer about the simplest everyday things, and now she whispered: “Please God, make him think I am still pretty.”

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again—you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say ‘Merry Christmas!’ Jim, and let’s be happy. You don’t know what a nice—what a beautiful, nice gift I’ve got for you.”

“You’ve cut off your hair?” asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”

Jim looked about the room curiously.

“You say your hair is gone?” he said, with an air almost of idiocy.

“You needn’t look for it,” said Della. “It’s sold, I tell you—sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

And then Della leaped up like a little singed cat and cried, “Oh, oh!”

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

“Dell,” said he, “let’s put our Christmas presents away and keep ’em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.


From Wikipedia: William Sydney Porter (September 11, 1862 – June 5, 1910), better known by his pen name O. Henry, was an American writer known primarily for his short stories, though he also wrote poetry and non-fiction. His works include “The Gift of the Magi“, “The Duplicity of Hargraves“, and “The Ransom of Red Chief“, as well as the novel Cabbages and Kings. Porter’s stories are known for their naturalist observations, witty narration and surprise endings.

Porter’s legacy includes the O. Henry Award, an annual prize awarded to outstanding short stories.


If you enjoyed this story, you might also enjoy “Cambridge Dancer” by Edward N. McConnell.


This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Submissions are Now Open on a Limited Basis

Submissions to RFM are now open on a limited basis. For the time being, this will not be widely publicized. The publisher must work this into his current work load.

Material accepted will be published sporadically, but the author will be notified on acceptance when it will appear. Hopefully, before long RFM will be publishing on a regular basis, probably once per month.

Please read the updated guidelines before submitting. A few things have changed.

“The Spiritual Session” Flash Fiction by Fernanda Poblete

The time was approaching and Rodolfo was preparing to start the session. Nervousness invaded his body and it was not for less, because it was the first time that he tried something similar. He prepared the table where he was going to arrange to place his board and the various artifacts that he had to use. Sweat was running down his forehead and he was trying to hide it quickly so as not to show signs of inexperience.

“Hello there? Do you hear me?” Rodolfo asked with a slight tremor in his voice.

He looked at his board uneasily, trying to remember every step he had to take. Regrets invaded his head and the desire to leave grew stronger, but he was not going to give up so easily.

“If you are listening to this, please give a signal.”

For long minutes not the slightest sound was emitted and Rodolfo crossed his fingers, clinging to the hope of being able to connect with someone. Silence roamed the room and tension was in the air. Rodolfo felt as if he were walking through a gloomy cemetery, alone and at night, looking for some merciful soul to help him find his way out. However, the pessimism increased with each movement of the clock’s hands.

“What are their names?” Rodolfo said, almost shouting “Is there someone? Please give a sign” despair showed in his actions. “Well, I think I’ll say goodbye.”

With a great sadness on top of him, Rodolfo was preparing to end the session that he had prepared with so much effort; until suddenly a slight murmur began to be heard from afar, which shook him considerably. His heart began to pound and his pupils dilated at the sudden manifestation.

“Hello, Professor Rodolfo,” says a student suddenly. “I’m George, I am a freshman student, nice to meet you”

“Hi, professor! Sorry, my microphone was not working. My name is Cristian.”

Rodolfo began to explode with joy at the presentations of his new students. His eyes narrowed and the daisies were easily seen by the huge smile that was drawn on his face. For an instant, he thought that all the lessons his eldest daughter had given him to learn how to use the computer had been in vain. Rodolfo gleefully picked up his notebooks to begin his class and put aside his trusty board that was full of instructions of how to turn on the camera and microphone, so that he could have a successful first online class.


Fernanda Poblete González is a chilean senior English Literature- Creative writing student with a minor in History and Religion at Lindenwood University. Some of her writing has been published in the Arrow Literary Journal and the Academic Heart and Mind.


“Beast in the Dark-A Sasquatch Encounter” Fiction by Tyler Curtis

I crash through the dry, thorny underbrush, despite my efforts to stay silent, all the while questioning why I’m here. The constant uncertainty of “why I’m here” keeps my mind distracted from the dark midnight wilderness around me, and gives me a purpose as I move forward. I’d be lying if I didn’t want to prove all the doubters wrong, but that isn’t the main thing pushing me forward. I have something to prove to myself, also. 

I tear my thoughts away from the “why” and turn them to my surroundings, for they are dangerous. It is near midnight, and the dark woods around me hold many things that could be dangerous. Not that I am overly worried, because I am prepared, but I still must be careful. I’m high in the Cascade Mountains of the Pacific Northwest, home to the elusive sasquatch. One of the families of sasquatch, at least. Contrary to popular belief, the sasquatch species are spread throughout North America and even parts of Europe. To most people, Sasquatch is just a joke and the mascot of a beef jerky commercial. To me? Sasquatch is a rare, intelligent beast that needs to be…what does he need? Exposure? Help? Honestly, I don’t know what I would do even if I did find a sasquatch. I want to protect them of course, but I would also want to share my discovery. Would anyone even believe me?

As I hike up the loose gravelly hillside, I look for potential spots to place my game cameras. These motion activated cameras are a useful tool for a Squatcher, someone who actively searches for sasquatch, allowing us to have eyes in multiple locations at once. The only trees at this level are pines, and there are no defining features of the landscape other than the slanted-growing trees and the shale beneath my feet. I am far from any trail. Sasquatch wouldn’t have stayed hidden this long if they hadn’t been avoiding trails, so to find them I must avoid trails as well.

I wrap the strap of one camera around a tree, flicking the on switch and quickly moving on. Part of what sets me apart from other Squatchers is I don’t go looking for sasquatch; I let them come to me. I move a few more yards, then place another camera. I go on for a while placing cameras in a diagonal line across the Valley. Trudging through the underbrush, pine branches continuously scraping my shins and bashing my arms, I quickly grow tired. Traversing across the Valley along the base of the cliff, I place another diagonal line that eventually meets at a point with the first. These two lines, combined with the base of the cliff that serves as my vantage point above the Valley, form a triangle. This will allow me to see anything that passes into or out of the upper part of the Valley, either with my own eyes or through the cameras. I started using this method to simulate a visual trap, which allows me to know if anything breaks the barrier of cameras. 

••••••••••

I hope my cameras are angled well. We don’t need any more Blob-Squatches. Blob-Squatch is the name given to photos of “Sasquatch” that are unidentifiable. They could be a tree stump, a shadow, or simply nothing. I setup my game cameras an hour ago, and I’m now waiting silently atop the bluff overlooking the valley. Same program as always: setup cameras, take position at the overlook, and wait for the valley to quiet itself. Obviously my crashing through the woods would scare away most animals, so I wait for the woods to come back to life.

As I wait for the resurrection of the valley, I get a chance to stargaze. This might actually be the best part of these trips. Could the magnificence of a sasquatch even compare to the majesty of the heavens? Obviously the answer is no. Sasquatch, despite his elusiveness and mystery, is still a mortal beast. The heavens, on the other hand, are infinite and eternal. Sometimes, the woods feel the same way. 

The time for world-brain and philosophical inquiry is not now. Now, it is time for Squatching. I may differ from other Squatchers in how I look for a sasquatch, but I’m the same in how I call for them. Sasquatch vocalizations are very specific to their species but are also extremely simple. The main ones are tree knocks, whoops, and screams. They are pretty self-explanatory, aside from tree knocks. A tree knock is basically taking a very large branch and smacking a tree. Hard. Sasquatch do this a lot when they come upon campers, either to draw attention to themselves or scare away the intruders. A tree knock can draw other sasquatch in, as well, because it is somewhat of a distress signal. Most people don’t understand how curious sasquatch are, despite their elusive nature. Many times, you are being observed without even knowing it. Sasquatch have a natural ghillie suit, which most people don’t understand makes them effectively invisible unless you know they are there. 

I grab the biggest branch I can firmly hold in my hands, a log about 5 feet long and 6 inches in diameter, and pick a tree. I want a tree that’s separated from the rest around me on the edge of the bluff, so the sound isn’t immediately deadened. There is a nice large pine, leaning out over the edge of the hillside, about 45 inches around. I ready myself for the abusive sound I’m about to create and swing the branch like I’m in the Homerun Derby.

The sound is heart stopping. It echoes through the valley like a blow to the heart of nature itself. I freeze immediately after the swing and listen for any sounds from the valley below. I never expect to hear anything after a tree knock because it isn’t necessarily a friendly call. There is a two-tone chirp from the East side of the valley, to the left from my viewpoint on the bluff, but I disregard it. Sure, the two-tone whistle is a common sasquatch vocalization. Everyone knows that. But any bird can make that noise as well. I need to not be so quick to jump to conclusions. At this point, it’s easy to shrug off certain sounds. After years of visiting these mountains, I’ve built a shield against hope. The skeptic in me comes out more and more, but my faith in the reality of sasquatch has never wavered.

I wait until the valley quiets again before moving on to more vocalizations. I start with the scream because it is much louder and travels further. Scream is somewhat of a misnomer; it is more of a bellow. This is another unusual call that is very specific to sasquatch. Puffing my chest out and steeling my nerves, I scream. I scream a scream so raw and primitive that I question whether it even came from me. My heart races as I listen for a response other than the echo of my own voice tearing itself apart through the valley.

Nothing. Nothing. Nothing. THERE!!! I hear a whoop, again to the East, and something crashing in the trees. I try to subdue my excitement, but the barrier I’ve built over the years is failing. Rarely have I ever heard two clear calls in one night, and there is definitely something moving down there.

What do I do?! Should I move? Should I stay? It is coming closer…I need to call again. That movement should be close enough to one of my cameras that I’ll know what it is when I retrieve them. I call again, this time switching to a whoop. It is a more tonal version of a scream, and is much quieter. I hear another whoop in response and can barely contain my excitement. I want to move, but the sasquatch is coming to me, just as I had always planned. If I move positions now, I might scare it off. The only option is to get as far out of the open as I can without making too much noise, but at this point it almost doesn’t matter. I can hear the beast crashing through the underbrush, storming up the valley towards the bluff. It is not trying to be stealthy.

I never thought I would be faced with an actual face-to-face encounter. I never really planned on what to do. Now realizing I about to meet this humongous beast, I realize that I am entirely incapable of defending myself if it feels threatened…there is no running, however. I can’t hide; it will find me for sure. Their sense of smell is much too strong. I can’t run; they can run much faster, up to 40 mph. There is only one choice. I must hope it perceives me as friendly. I stand in the clearing as the crashing grows closer. The first thing I see is a mass with no shape, lumbering through the brush and pushing branches out of the way. It quickly gains a humanoid shape, and just as more features start to come into focus it stops. It knows something is not right. I am not a sasquatch. It takes a few tentative steps towards me and its eyes become visible. They are a rich dark brown, more majestic than the heavens, and more divine than the forest. I ought to be entranced, but I only feel fear. This is not a friendly being. It only knows violence and pain, and I am an enemy in its territory.


Tyler is a Senior at Lindenwood University graduating December 2021 with a BA in English Lit with an emphasis in Creative Writing. He works full-time as a freelance Project Manager specializing in the nonprofit sector, and spends time volunteering in his church and for Alcoholics Anonymous.