All posts by Phil Slattery

Publisher, Rural Fiction Magazine; publisher, The Chamber Magazine; founder, the Farmington Writers Circle. I have written short stories and poetry for many years. In my careers as a Naval officer and in the federal government, I have written thousands of documents of many types. I am currently working on a second edition for my poetry collection and a few novels.

“Herm’s Rifle” Short Story by C.E. Williamson

Herm was a retiree of ten years and a widower of six. If he had to choose what he missed more, his job or his wife, he would have to say his job. Helen had been a fine wife in many aspects. She raised their two daughters well. She kept their small home tidy. She cooked them all three square meals a day, except on Saturdays when she neglected breakfast in favor of lazy mornings. That was all most men asked for, but Helen had one great failing as a spouse. She despised the marriage bed. 

When Herm had first courted her as a young man, he had chalked this reluctance up to girlish timidity and a Lutheran upbringing. An aggravation that would surely fade after they were wed. So he married her and, to his shock, she was still celebate. They had sex of course, just not nearly as often as Herm liked. In Helen’s mind, only two things arose from affairs of the flesh. Children and sin. It was a minor thing in retrospect but they were young and resentful and the seeds of hatred took root. 

As the years passed, their resentment grew. When he was forced to retire after the incident at the faculty party, she stopped talking to him entirely. On her deathbed at the age of sixty-seven, she confessed her hatred to him. With a gentle smile and a soft voice, he returned her sentiment. Helen died, and Herm was finally free to drink himself into peaceful oblivion. 

On the day of the shootout, he awoke from his drunken slumber with extreme reluctance. His head, pulsing with pain, instinctively turned from the rays of the rising sun that poked through the dark curtains. He lay there, half awake, half asleep, fully hungover, for nearly twenty minutes. Not wanting to rise, but knowing that he had little choice. Finally, he eased upward out of his grimy sheets and shuffled to the kitchen. 

He fixed himself a bowl of Raisin Bran and paired it with a cold Coor’s Banquet. As he stumbled into the den, he tripped over the lip between the rooms and spilled milk on the vinyl flooring. Ignoring it, Herm placed his breakfast on a cluttered end table and collapsed into the Lazy Boy at its side. His hand reached for the clicker but found it absent. Cursing, he dug into the trenches of his chair until the remote finally manifested. 

The old man turned on the television and began to eat. He flipped the channels in a rapid, well-practiced manner until the screen rested on the black-and-white face of Chuck Conners. Herm loved The Rifleman. It had been his favorite show ever since he was a boy. It rarely came on the tube anymore. He paid an extra twenty-five dollars a month just for the oldies station to watch it. Helen had hated that but fuck her. Helen was gone. He turned the volume up as far as it would go and leaned back. 

He finished his breakfast as he watched the monochrome cowboys. With the last bite of his cereal, Connors gunned down his foe. In a single fluid motion, his rifle orbited his hand, cocked, and fired. Herm grinned. He never got tired of that. Suddenly, like an echo, he heard a second gunshot. It came not from the T.V. but from outside. It was faint and distant, muffled by the glass of his window. Chick chick BOOM! Herm sighed and stretched himself out of his seat. Johnny was hungry.

Herm had seven birds. Four hens, a rooster, an old gobbler, and Johnny. He had worked with countless Grey Macaws over his career, but none had come close to Johnny. He was the smartest damn bird he had seen. Possessing a mastery over speech and vernacular that put many humans to shame. Often, he would learn new words or phrases in mere seconds. A true feathered genius. Unfortunately for Herm, he was also the biggest asshole he knew. 

He kept Johnny in a tin barn about ten yards from his house. Once upon a time, the bird stayed in the house with him and his family. His daughters spoiled him and the old fiend reveled in the attention. He was moved to the barn after an incident with Helen’s gremlin of a cat. After the death of his wife, Herm had thought of bringing his friend back into his home but decided against it. The last thing he needed was Johnny repeating his drunken ramblings back at him in the morning. With aching joints and a throbbing head, Herm walked to the barn. 

Johnny was still shooting at him as he approached. Chick chick BOOM! Chick chick BOOM! Chick chick BOOM! With each gunshot, his head vibrated with pain. When his feeble frame finally made it to the barn door, he saw something strange. There below him, in the red dirt patch that served as the door’s shadow, were prints. He could not tell what it was. The scuffs were messy and ill-formed, but something had surely been there the night before. Damn, coons. Trying to get his bird feed.  Chick Chick BOOM.

“I’m comin’ you damn pigeon,” Herm shouted as he fiddled with the door. The sudden outburst of his own voice heightened his pain and he winced as his thumb turned the lock. 

“Howdy Herm,” The bird said as he entered the stale room. 

“Good Morning Johnny,” Herm said as he opened the cage. 

“SQUAWK Whatcha Watchin’?”

“Our show.”

The bird got excited and flapped his wings as he climbed on Herm’s shoulders. “SQUAWK THE RIFLEMAN STARRING CHUCK CONNERS SQUAWK SQUAWK!”

“Yessir indeed,” Herm said. With Johnny on his left shoulder, he bent over and heaved a bag of feed over the other. The effort left him dizzy and stiff. Johnny waddled in place, impatient to start the day. Herm sighed and started the chores.

In truth, he didn’t mind feeding the birds. He actually enjoyed it. What he hated was the effort it took. He was not a spring chicken anymore and frankly, his birds didn’t care. Still, it was a joy to be near them. He missed his work. His daughters used to call him a chicken scientist. He would laugh and say chickens were beneath him. Now all he had were the chickens. And the turkey. And Johnny. 

Gone were the days of South American voyages and ornithological conferences in Europe. Now he was a drunk old chicken farmer and he didn’t mind it. Academia was overrated. All of the serious studies were over and done. Now all his old colleagues did was bicker about migration trends and molting patterns. It was far more entertaining to watch his chickens argue and bicker. When one of them said something stupid they got a firm peck on the head as punishment. Birds were more just than people. 

He and Johnny spent the better part of two hours feeding and watering them. Collecting eggs, Adding new scratch. Slowly Herm began to feel better. The cool breeze and warm sun worked together to clear his sinuses and relieve his hangover. Maybe today wouldn’t be a labor after all. 

He kept his birds free range. Partly out of some old sense of morality and partly because he thought the eggs tasted better. At first, he had been worried about animals. Chickens, although mean and cantankerous, were easy pickings for a coon or possum. But his old rooster was tough and mean and hardy. Once he had watched as the cock chased a snake away from a ground nest. Wings held wide, beaked mouth screaming. The memory made him smile.

It also reminded him of the strange tracks by the barn door. As he put his feed bag away, he bent his crooked frame down again and stared at the ground. Once, as a younger man, he could identify the track of any local creature with a single glance. But he had not hunted in years and his eyes had dimmed with age. 

Herm stayed crouched and staring for a long time. Something about those prints just didn’t sit right with him. It almost looked like something had tried to brush them away. To his aggravation Johnny squawked, interrupting his train of thought. 

“Shut the hell up,” He snapped at the bird.

“He’s some type of teacher or somethin’,” Johnny said.

“What’s that?”

“He’s some type of teacher or somethin,” The parrot repeated. 

“Oh I didn’t know that was a teacher track,” Herm said as he rose, bones creaking.

“SQUAWK!”

Herm continued to look at the tracks as he stretched his sore back. It was the darndest thing, they did look like boot prints at a certain angle. 

“He’s some type of teacher or somethin, at a college,” Johnny said.

Herm froze. 

“Probably has loads stashed away SQUAWK SQUAWK!”

It was noon before Sheriff Grey pulled into Herm’s long gravel drive. He was a man who very much matched his name. Short parted gray hair atop a gaunt face. His pallid flesh was pulled back in a grin as he stepped out of the cruiser. Herm hated Grey. He was a lazy ole coot like himself. He knew better than to trust lazy ole coots. 

“Morning Herm.” The Sheriff said, eyeing the bird on his shoulder. 

“Come in Sheriff.”

Grey walked past Herm and entered the house. “So what can I do for you, Herm?” He said, placing his hands on his hips and looking over the mess of a house. 

“Someone is planning to break in.”

Grey nodded. “Dispatch told me. They also said that your bird was the one to report it.” The shit-eating grin warped Grey’s face for a second time. It made Herm sick. 

“You know damn well I reported it. Johnny just found out about it.” Herm said. At the mention of his name, the bird perked up.

“He overheard it?” Grey said.

“Yes.”

“Your bird?”

“Don’t you do this to me, Grey, I’m not some damn loon!” Herm answered with angry exasperation. 

“Uh huh, now Herm how much have you been drinkin’ this morning?” The sheriff asked. 

“That’s got nothing to do with it!” Herm said.

“Because I count six Bud cans and four Banquet bottles from where I’m standing.” The sheriff said, ignoring his statement. 

“I’m not drunk!” Herm barked, his face reddening. 

“Not saying you are Herm. But being drunk and being in your right mind are two different things. You know that.”

It took everything Herm had not to punch the man. Ever since word got around about why he was forced to retire no one respected him. He was just the town drunkard. The local wino. Fuck the degrees, fuck the books, fuck the classes. He was nothing but a source of gossip. A joke.

“Get the hell out of my house!” 

“Easy now Herm, I’m just trying to help,” Grey said. The grin still present.”

“Now!” Herm said.

“Now!” Johnny echoed.

Grey chuckled at this sudden burst of youthful rage. “All right, All right Herm. Call us if you need us.” He sauntered out of the house and drove away. Herm was shaking. The pounding in his head renewed. He sighed deeply and leaned against the counter., listening to the car’s tires crunch the driveway.

“Thanks for nothing you asshole.”

“You’re welcome, Herm.” 

Surprisingly, Herm found that he was not panicking. Not anymore. If anything, he was calm. This was a problem to solve. Nothing more. He began to think. To plan. He considered just leaving but found that option unacceptable. This house and those birds were his whole life. He couldn’t pack it all up. Run away. Even if he could, Herm didn’t think he would. His whole life had been characterized by begrudging stubbornness. This situation was no different. He would rather die than let some stranger take dominion over him or his. 

Naturally, his next thought was on defense. He had a .308 in his bedroom closet. A holdover from his hunting days. The firing pin had broken years ago. He had stuck it behind his dress shirts and hadn’t touched it since. Upon inspection, He and Johnny determined the weapon to be inoperable. Even if he could get it to fire, not a single round was to be found.

He could always leave, procure a new weapon, and return. He certainly had the funds. But this idea did not sit well with him either. They could be out there now for all he knew. Waiting for him to leave. It was too risky. He couldn’t leave until all of this was dealt with. 

It was a pickle alright. A real pickle. He sat down in his armchair, Johnny hopping off his shoulder unto the head of the seat. He needed to think but found himself unable to. The T.V. was still blaring from this morning. The Rifleman had long since ended. In its place was Lee Van Cleef firing his revolver at Mexican bandits. With each pistol shot, Johnny would shoot back and jump in place. Between the bird and the movie, scarcely a sound could be heard. How could a man think like this? He reached with his clicker and then stopped himself. By God, it really was that simple wasn’t it? He smiled and leaned back into his chair, content to watch Sabata Returns with his friend. 

They came just past nightfall. Three men. Boys really. Their boots crunched the gravel. With each footstep, they winced. All three were jumpy. Never before had that attempted such an endeavor. This was different from smashing mailboxes and rolling yards. This was serious. The fact Tommy insisted on bringing his dad’s nine-millimeter made them even more frightened. The gun added weight to their adventure which Levi and Lane did not like. 

Tommy told them to take their boots off as they stepped onto Herm’s wooden porch. Even in their socked feet, each step was heavy and seemed amplified by the stillness of the evening. Tommy nodded to Levi who knelt down in front of the door and tied the knob. He turned it slowly, carefully, and found it locked. 

They had planned for this. Two months ago, he had ordered a lockpick kit from Amazon. It turned out to be a real hoot with the boys. Opening lockers and filling them with cow shit. Picking trucks’ toolboxes and jacking the contents. Best twenty-four ninety-nine he had ever spent. 

Now the thin metal tools felt heavy in his hand. He was all thumbs. Noiselly he racked the tools along the inside of the lock. Tommy thumped him hard on the back of the head. 

“Shut the fuck up!” He hissed. 

“What’s taking so long?” Lane whispered.

“Your boy is a fucking dumbass.” Tommy retorted. Turning to Levi he spoke again. “What the hell is taking so long!”

“You get down here and do it if you’ve got such a damn problem with it!” Levi barked back, louder than he should.

“Shut the fuck up! Do you want to wake him up! You got the pick, you open the door!”

“I don’t take orders from you Tommy!”

“The fuck you don’t, pick that pick back the fuck up and…”

Click Click.

The three boys froze. Silent. Listening to the night. A look amongst them verified their thoughts. They had all heard it. The mechanical click of a lever. Tommy opened his mouth to whisper a new command. 

BOOM!

The rifle shot echoed off the pines. The boys ran, Levi, struggling to lift his modest girth off the porch, fell behind his two comrades.

Click click BOOM!

A second shot. Closer than the first. Lane swore he felt the whiz of a bullet fly past his ear and crash into the brush beyond. Levi was wheezing, trying to catch up. If he could see Tommy’s face, he would have seen tears. 

Click click BOOM!

Tommy fell prone to avoid the shot, his pistol falling from his waistband. After he felt the bullet pass, he tried to rise. Levi stepped on him in his haste to escape. Tommy spurted up, in pain and with wet pants. He sprinted. Faster than he ever ran before.

Click click BOOM!

The trio rounded the driveway and vanished out of sight. Herm could hear their muttering wet cries echo from up the road. The old man grinned and stepped away from the window. Carefully he eased back into his chair and cracked open another beer. Johnny hopped from his shoulder onto the head of the seat. He flicked his clicker and turned the T.V. on. His rifle let out a squawk of delight as Chuck Conner’s face lit up the screen.


C.E.Williamson is a author living in Southern Mississippi with his wife Miranda. His previous published works include “Leviathan” found in Issue#172 of Frontier Tales Magazine


Please share this story to give it maximum distribution. Exposure is our authors’ only pay. You can also help our contributors gain exposure by linking to them and to RFM’s homepage.

If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.



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“Free Birth” Flash Fiction by Sarah Das Gupta

It was hot in the Indian sunlight although it was early December. The students were sitting exams in stuffy classrooms where the ceiling fans whirred like dying insects. The rooms had a teacher’s desk raised above the level of the pupils. Girls bent over their papers, writing frantically. Every so often, a hand would shoot up for another sheet.

Sitting at the high desk, I noticed that every time I climbed down to hand out paper, I doubled up with a sharp pain which was increasingly hard to disguise. At eight and a half months through my second pregnancy, these spasms worried me. I certainly did not want to be the first member of staff to give birth in a classroom. I believed in practical work and class involvement but a demonstration of childbirth seemed to be stretching things too far.

 Moreover, I was teaching in a convent school run by an order of nuns dedicated to the Blessed Virgin, so I probably couldn’t rely on much assistance. To my relief, the bell rang for the end of school. Most teachers welcome the bell, especially at the end of a long, humid day. In this case I had been praying for it.

The students in their starched white blouses and red skirts, streamed out through the gates. With difficulty, I threaded my way through the crowd and luckily flagged down a taxi.By this time the spasms were more intense, making me bend over. I could see reflected in the driver’s mirror, his puzzled, anxious expression. I counted off the familiar landmarks, Lower Circular Road, Kolkata (Calcutta) Rugby Club, Kwality Restaurant, at last the turn into Ballygunge Place.

The taxi came to a rattling halt as I fumbled in my bag for the key. As it happened, the door was opened by our Nepalese ayah. Taking one anxious look at me, her usually unflappable character quickly changed. Despite her efforts, she couldn’t disguise the panic on her face. My Bengali was kindergarten level and my Hindi, non-existent. However, no words, whatever the language, were needed to explain my doubling up with pain every ten minutes.

I too was near panic as I weighed up my options. It didn’t take long; the choice was limited. My husband, a journalist, was away on an assignment. My own family were thousands of miles away in leafy Surrey. I understood from the ayah’s limited Bengali, that she was not up for the role of mid-wife. She wanted me in hospital as soon as possible but it was far away in Alipore, another part of the city. I had no transport.

I went out into the street. Total darkness hit me like a brick wall. No street lights, curtains tightly pulled. The usually busy city, silent. Rather belatedly, I remembered that India was at war with Pakistan over the future of East Pakistan, soon to become Bangladesh. Not the best night to look for a taxi.

Anti-aircraft guns lit up parts of the city with brilliant arcs of light. The silence was unnerving. Kolkata is rarely silent: the roar of traffic, the impatient hooting of horns, the rattling of trams, must make it one of the noisiest cities on earth I thought the chances of finding a taxi in the circumstances were nil.

Just at that moment, a battle scarred, black and yellow vehicle, lights dimmed, was crawling  down the street. Even from several yards away, I could hear a strange tapping noise from the engine and a general rattling as if all the bodywork were loose. As I raised my arm, the taxi came to a noisy halt. The driver was a Sikh, his turban just visible in the darkness. 

Pointing at my obviously pregnant figure, I whispered, “Forest Nursing Home, Alipore,” before the next spasm gripped me. I collapsed on the back seat. The stuffing was sticking out from the plastic covered seats as well as a few rusty springs. A few moments later, I considered jumping out. The taxi was swooping backwards and forwards across the road like a drunken seagull.

Somehow or other, we eventually crawled through the hospital gates. I was quickly ushered into a lift by a nervous receptionist. The nurse, took one look at me doubled up in pain, before hurrying me into a delivery room. After a quick check-up, she commented with barely concealed annoyance, “You’ve come far too early. You might as well go home.”

The night sister suddenly appeared. She had hardly begun her check-up, before she shouted, “Get this patient ready now. She’s about to give birth any minute!” 

I had hardly got into bed, before I was holding a tiny, pucker-faced daughter in my arms. My own doctor rushed in, red-faced and flustered.

“Don’t think I’m paying you. I delivered her myself!” 


Sarah Das Gupta is a writer from Cambridge, UK who has also lived and worked in India and Tanzania. Her work has been published in twenty countries from Australia to Kazakhstan. It has appeared in over 200 literary magazines and anthologies including ‘The New English Review’, ‘ Moss Piglet’, ‘Songs of Eretz’, ‘Quail Bell’, ‘Waywords’, ‘Cosmic Daffodil’, ‘Dorothy Parker’s Ashes’, ‘Hooghly Review’, ‘Meat for Tea’, ‘Rural Fiction’ and many others. This year she has been nominated for Best of the Net’ and a Dwarf Star’.

“Free Birth” appeared originally in Juste LIterary Magazine.


Please share this story to give it maximum distribution. Exposure is our authors’ only pay. You can also help our contributors gain exposure by linking to them and to RFM’s homepage.

If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.



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Global Call for Rural Fiction Writers

Share Your Rural Tales with the World!

Embrace the Beauty of Rural Life

Rural Fiction Magazine is on a mission to showcase the rich tapestry of rural experiences from around the globe. Whether you’re penning heartwarming tales, poignant poems, or insightful reviews on rural fiction books, we want your voice! Our open-minded approach means we welcome all genres—be it romance, horror, or magical realism—as long as it connects to rural life. Your story matters!

A Worldwide Platform for Diverse Voices

With contributors from 46* countries and counting, RFM celebrates the universal human experience. By submitting your work, you join a vibrant community that transcends borders. Share your unique perspective and connect with readers who appreciate the beauty and complexity of rural narratives.

RFM wants to develop talent, measuring it in a fair and equitable way to find hidden and disadvantaged talent in a world where not everybody has an equal chance to exhibit their abilities. RFM does not discriminate against anyone. The only personal criterium for publication is talent in use of English and in developing outstanding stories. Because RFM embraces the global community, RFM embraces differences, whether those are race, age, ethnicity, religion, gender, sexual orientation, or physical ability. RFM wants to see diversity in writing from around the world, from all time zones. RFM respects everyone’s voice and strives to create a culture in which people from all cultures, races, and backgrounds feel encouraged to express their ideas and perspectives. You can help our contributors gain exposure by sharing their works widely and also by back linking to them and to RFM’s homepage.

Fast Publication for Your Creative Work

No waiting indefinitely to see your words in print! At RFM, we pride ourselves on our efficiency—most submissions are published within weeks of acceptance. Get ready to inspire others and gain well-deserved exposure in English-speaking markets including the USA, UK, Canada, Australia, New Zealand, and Ireland.

Your Voice Matters – Take Action Today!

Ready to share your story? Visit our submissions page for detailed guidelines and join us in celebrating rural fiction’s diverse tapestry. Remember: while there’s no monetary compensation beyond publication credit and exposure, your writing will resonate with an audience eager for authentic voices like yours.

For more information on what RFM is accepting and on the submissions guidelines, please go to our submissions page. To submit stories or poems use publisher@ruralfictionmagazine.com.

Spread the Word!

Please share this announcement far and wide to help us discover exceptional talent from every corner of the world!

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.


*These nations include Canada, United Kingdom, India, Austria, Taiwan, Australia, Thailand, Japan, Ireland, Germany, Poland, New Zealand, Lithuania, Indonesia, Costa Rica, Greece, Singapore, South Korea, France, Netherlands, Sweden, Norway, Nigeria, Finland, Saudi Arabia, Romania, South Africa, Mexico, Bangladesh, Italy, Palestinian Territories, Guatemala, Switzerland, Nepal, Portugal, Barbados, Kenya, Malta, Hungary, Spain, Ukraine, Turkey, Oman, Brazil, Estonia, and Pakistan.



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“I Keep One Eye Open When I Pray” Poem by Michael M. Dewitt

I am mischief; I am boy.

They call me baptized, civilized,

but there’s a frog in my pocket,

a shotgun shell, a broken toy.

Always listening to everything you say,

I am little ears – grown folks’ business!

I never forget, never forget.

You’ll hear it again some day.

And I am always watching. I even

keep one eye open when I pray.

I see the blushing ladies in church dress,

flirting, flashing ivory and brown legs under skirts

for that handsome young new preacher.

Oh, his wife is so not impressed.

I hear he’s ‘blessed,’ the ladies say.

They think I don’t know

and maybe I don’t, but

You’ll hear that again some day.

And I am always watching. I even

keep one eye open when I pray.

“Bow your heads.” The preacher sways.

Silence. Calm. I listen, peek about.

Congregation is quiet, save for deaf Uncle Doc,

Still talking, didn’t hear “let us pray.”

“We have all fallen short of His Grace,

We know we’re not worthy.

Lord, please forgive us.”

I see the guilt on your face.

And I am always watching. I even

keep one eye open when I pray.

One eye open, lookie lookie!

Is that man picking his nose?

Searching for salvation while

digging for a boogie?

They whisper, they scold, they yawn,

they scratch that private place,

wishing they were someplace else

while the praying preacher drones on and on…

And I am always watching. I even

keep one eye open when I pray.

The deacon counts the green bills

— one for God, one for me!

Did that lady pull cash from her bra?

Sweaty titty money in God’s tills.

Have you strayed, had an affair?

The preacher prays for the harlots,

the drunks, the liars, thieves, cheaters.

Why does Mrs. Titsy have a look of despair?

And I am always watching. I even

keep one eye open when I pray.

Uh, oh, here it comes! Momma’s slap!

Eyes closed. End of fun.


Michael M. DeWitt Jr. is a multiple-award-winning journalist, longtime editor of the 144-year-old The Hampton County Guardian, author of four books, including Images of America – Hampton County, Wicked Hampton County and Fall of the House of Murdaugh, and host of the Wicked South Podcast. DeWitt’s work has been published in print and online around Gannett’s nationwide USA TODAY Network, and he has appeared on ABC’s 20/20, CBS’s 48 Hours, Dateline NBC, and Netflix documentaries.

As a humorist, DeWitt’s award-winning Southern humor newspaper column, “Southern Voices, Southern Stories,” was published in newspapers from Cape Cod to northern California, and he has been a regular contributor for South Carolina Wildlife magazine, Sporting Classics magazine, and its online counterpart, Sporting Classics Daily.


Please share this story to give it maximum distribution. Exposure is our authors’ only pay. You can also help our contributors gain exposure by linking to them and to RFM’s homepage.

If you would like to be part of the Rural Fiction Magazine family, follow this link to the submissions guidelines



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Seeking Submissions from Around the World

Rural Fiction Magazine (RFM) would like to publish more writers from around the world, regardless of your country of origin. So far, RFM has readers and contributors from 46* nations.

RFM wants to develop talent, measuring it in a fair and equitable way to find hidden and disadvantaged talent in a world where not everybody has an equal chance to exhibit their abilities. RFM does not discriminate against anyone. The only personal criterium for publication is talent in use of English and in developing outstanding stories. Because RFM embraces the global community, RFM embraces differences, whether those are race, age, ethnicity, religion, gender, sexual orientation, or physical ability. RFM wants to see diversity in writing from around the world, from all time zones. RFM respects everyone’s voice and strives to create a culture in which people from all cultures, races, and backgrounds feel encouraged to express their ideas and perspectives. You can help our contributors gain exposure by sharing their works widely and also by back linking to them and to RFM’s homepage.

RFM is seeking short stories, poems, reviews and press releases, on rural fiction books that reflect the beauty, tranquility, joys, anguish, sorrows, humor, tragedy, comedy, and drama of rural life. RFM believes that all stories are about people and that genre is secondary. Therefore, RFM is open to almost all genres such as mainstream, literary, romance, horror, western, mystery, thriller, historical, realist, coming of age (Bildungsroman for those who speak German), science fiction, magical realism, dystopian, etc, so long as they are connected to rural life and culture anywhere in the world.

Your work must be in English. It can a translation from your native language, but it must be in English, which is spoken around the globe and gives the work and author substantial worldwide exposure.

For more information on what RFM is accepting and on the submissions guidelines, please go to our submissions page. To submit stories or poems use publisher@ruralfictionmagazine.com.

Please note that there is no pay for this other than a publication credit and exposure to the English-speaking markets. However, all rights remain with the author.

Currently, RFM is publishing material within a few weeks of acceptance, though this may vary depending on the number of submissions.

Please share this announcement to give it maximum exposure.

Financial donations through either our GoFundMe or Buy Me a Coffee accounts will help expand our global reach by paying for advertising, more advanced WordPress plans, and expansion into more extensive Content Delivery Networks.


*These nations include Canada, United Kingdom, India, Austria, Taiwan, Australia, Thailand, Japan, Ireland, Germany, Poland, New Zealand, Lithuania, Indonesia, Costa Rica, Greece, Singapore, South Korea, France, Netherlands, Sweden, Norway, Nigeria, Finland, Saudi Arabia, Romania, South Africa, Mexico, Bangladesh, Italy, Palestinian Territories, Guatemala, Switzerland, Nepal, Portugal, Barbados, Kenya, Malta, Hungary, Spain, Ukraine, Turkey, Oman, Brazil, Estonia, and Pakistan.